Journal | Rassegna iberistica
Journal issue | 45 | 118 | 2022
Keywords María Angélica Bosco • Haicai • Cine mudo italiano • Posthumous editions • Literary polemics • Normalització • Catalan literature • Novel • Coproducción cinematográfica • Stereotipi • Film co-production • Silent cinema • Rosa Montero • Distribución cinematográfica • Colaboración • La mort i la primavera • Rol docente • Buenos Aires • Cultura catalana • Distance learning • Cinema distribution • Didáctica virtual • Women’s fiction • Syria Poletti • Italian silent cinema • Haiku • Luisa Valenzuela • Premi Nobel • Narrativa femminile • Argentine crime literature • Motivation • Affective dimension • Literatura catalana • Polèmica literària • Fira del Llibre de Frankfurt • Gender • Poetry translation • Biography • Genere • Cartoneras del siglo XXI • Science • Virtual learning • Stereotypes • Diario • Novela • Comunicación no verbal • Jorge de Sena • Interpretació hermenèutica • Pastiche • Biografía • Eloísa Cartonera • Literatura criminal argentina • Fairy tale • Cine mudo • Collaboration • Twenty-first century women’s cartoneras • Normalisation • Non-verbal communication • Bashô • Frankfurt Book Fair • Fiaba • Procés d’escriptura • Géneros poéticos • Marie Curie • Catalan culture • Diary • History of Spanish cinema • Writing process • Second languages • Communication • Historia del cine español • Death in Spring • Motivación • Dimensión afectiva • Comunicación • Quim Monzó • Ciencia • Hermeneutic interpretation • Interacción • Segundas lenguas • Nobel Prize • Interaction • Didáctica a distancia • Silvina Ocampo • Edicions pòstumes • Mercè Rodoreda • Tradução de Poesia
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Published Dec. 16, 2022 | Language es, it, pt, ca
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.