Journal |
Rassegna iberistica
Journal issue | 45 | 118 | 2022
45 | 118 | 2022
open access | peer reviewedKeywords Marie Curie • Didáctica virtual • Fiaba • Comunicación • Women’s fiction • Luisa Valenzuela • Biografía • Buenos Aires • Historia del cine español • Quim Monzó • Syria Poletti • Cine mudo • Non-verbal communication • Jorge de Sena • Mercè Rodoreda • Posthumous editions • Polèmica literària • Premi Nobel • Distance learning • Eloísa Cartonera • Nobel Prize • Italian silent cinema • Motivación • Argentine crime literature • La mort i la primavera • Géneros poéticos • Catalan literature • Segundas lenguas • Normalització • Hermeneutic interpretation • Tradução de Poesia • Cartoneras del siglo XXI • Writing process • Cine mudo italiano • Silent cinema • Didáctica a distancia • Novela • Motivation • Ciencia • Rosa Montero • Cinema distribution • Second languages • Collaboration • Fairy tale • Diario • Narrativa femminile • Interpretació hermenèutica • Death in Spring • History of Spanish cinema • Edicions pòstumes • Coproducción cinematográfica • Haiku • María Angélica Bosco • Biography • Communication • Science • Procés d’escriptura • Virtual learning • Literatura criminal argentina • Film co-production • Genere • Poetry translation • Pastiche • Normalisation • Literary polemics • Interaction • Dimensión afectiva • Literatura catalana • Interacción • Colaboración • Gender • Frankfurt Book Fair • Cultura catalana • Fira del Llibre de Frankfurt • Comunicación no verbal • Novel • Catalan culture • Distribución cinematográfica • Affective dimension • Silvina Ocampo • Diary • Haicai • Twenty-first century women’s cartoneras • Rol docente • Stereotipi • Stereotypes • Bashô
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Published Dec. 16, 2022 | Language es, ca, pt, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Articles
- Distance Learning, Communication and Affectivity
- Dec. 16, 2022
-
Italian-Spanish Film Connections During the Silent Era of Film
The Professional Career as a Clue: The Case of Raimundo Minguella (1876-1951) - Dec. 16, 2022
- From Trash to Books, from La Boca to the World: Women cartoneras in the Twenty-First Century
- Dec. 16, 2022
-
The Nobel Prize in Literature in the Catalan Culture
Half a Century of Debates About the Possibility of a Catalan Winner (1971-2021) - Dec. 16, 2022
-
A “bottomless well”?
How to Read Death in Spring by Mercè Rodoreda - Dec. 16, 2022
Notes
-
¿Y las mujeres dónde están?
Literatura criminal argentina - Dec. 16, 2022
Reviews
- Luis Gómez Canseco. Epopeyas de una guerra olvidada
- Dec. 16, 2022
- Diego Santos Sánchez (ed.). Un teatro anómalo
- Dec. 16, 2022
- Sara Jaramilla Klinkert. Cómo maté a mi padre
- Dec. 16, 2022
Review Proposals
- Review Proposals
- Dec. 16, 2022
