Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Puesta en perspectiva narrativa • Poesía • Valerián de Hungría • Italo Calvino • Negrismo • Editoria • García Maroto • Surrealismo • | Valerián de Hungría • Galdós’ novels • Miguel Ángel Hernández • Criticism • Women • | Assaig • | Italo Calvino • | Castelao • Ideologia • Cultural hybridity • Sociology of language • Nationalism • Literatura • Ecología • Libri di cavalleria • True Crime • Reticencia • Poetical discourse • Hispano-American literature • | Wilcock • Poetry • Mitos mapuches • Rhetorical techniques • Negritud • Desert conquest • Castelao • Social science • | Literatura española contemporánea • Inmigrante • Literary dialogues • Figurativización • Baroque • Mise en abyme • Nonfiction • Paisaje • Ideology • Misogyny • Caballero Bonald • Paralipsis • Publishing industry • Essay • | Benito Pérez Galdós • Misoginia • Sociologia de la llengua • No ficción • Cinema • Contemporary Spanish literature • Immigrant • | Bernardo Atxaga • Textual lacunas • Einaudi editore • | Inmigración • Artistic deformation • Identidad • Surrealism • Bernardo Atxaga • Beauty • Identity • Narrative perspective • Bellezza • Lagunas textuales • Mapuche myths • Landscape • Wilcock • Barroco • Romances of Chivalry • Social structure • | Deformación artística • Critica • Nacionalisme • Cuba vanguardias • Dialogo letterario • Novelas • Ecology • Paradox • El dolor los demás • Literature • Paradosso • Dibuxos grabados • | Conquista del desierto • Borges • España • Reticence • Aposiopesis • Spanish Republic • Ciència social • True crime • Immigration • El dolor de los demás • Hibridismo cultural • Letteratura ispanoamericana • Estructura social • Negros • Mujer • Discurso • Cuban avant-garde • Técnicas retóricas

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language it, ca, es

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