Journal |
Rassegna iberistica
Journal issue | 42 | 111 | 2019
Keywords Beauty • Cultural hybridity • Reticencia • Paisaje • Surrealismo • | Benito Pérez Galdós • Estructura social • España • Dibuxos grabados • Puesta en perspectiva narrativa • Miguel Ángel Hernández • Literary dialogues • Cuba vanguardias • Social science • El dolor los demás • El dolor de los demás • Libri di cavalleria • Rhetorical techniques • Inmigrante • Ecología • Mitos mapuches • Borges • Castelao • Baroque • Criticism • Desert conquest • Poetical discourse • Técnicas retóricas • Mujer • Paralipsis • Bernardo Atxaga • No ficción • Einaudi editore • Sociology of language • Ciència social • Paradox • Literature • Aposiopesis • Literatura • Figurativización • Hibridismo cultural • Nacionalisme • | Inmigración • Ideology • Publishing industry • Surrealism • Artistic deformation • | Italo Calvino • Reticence • Bellezza • Misoginia • Letteratura ispanoamericana • True Crime • Essay • Immigrant • Identity • Novelas • García Maroto • Cuban avant-garde • Discurso • Barroco • Romances of Chivalry • Ideologia • Negritud • Lagunas textuales • Narrative perspective • Immigration • Negrismo • Social structure • | Conquista del desierto • Contemporary Spanish literature • | Assaig • Poetry • | Deformación artística • Editoria • Identidad • Misogyny • | Valerián de Hungría • Mise en abyme • Italo Calvino • | Wilcock • Dialogo letterario • Sociologia de la llengua • | Castelao • Spanish Republic • Nationalism • Mapuche myths • Caballero Bonald • Textual lacunas • Landscape • Paradosso • Poesía • Negros • Nonfiction • Critica • Women • Galdós’ novels • Valerián de Hungría • True crime • | Bernardo Atxaga • Cinema • Wilcock • | Literatura española contemporánea • Hispano-American literature • Ecology
Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language it, es, ca
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Articles
Notes
Reviews
Review Proposals