Journal |
Rassegna iberistica
Journal issue | 42 | 111 | 2019
Keywords Rhetorical techniques • Surrealismo • Baroque • Caballero Bonald • Borges • Publishing industry • Surrealism • Poesía • Cinema • Discurso • Cuba vanguardias • Negros • Bellezza • Literary dialogues • Cuban avant-garde • Paradosso • Literature • Women • El dolor de los demás • | Castelao • Aposiopesis • Landscape • Castelao • Critica • Mise en abyme • Editoria • Textual lacunas • Ideologia • | Inmigración • Poetical discourse • Wilcock • Sociology of language • Nonfiction • Valerián de Hungría • Paralipsis • Spanish Republic • Puesta en perspectiva narrativa • Reticence • Técnicas retóricas • Romances of Chivalry • Social science • Mitos mapuches • | Valerián de Hungría • Bernardo Atxaga • Reticencia • Identidad • Galdós’ novels • Libri di cavalleria • Dibuxos grabados • Hispano-American literature • El dolor los demás • | Literatura española contemporánea • Ecología • Nacionalisme • Essay • Narrative perspective • Ciència social • Barroco • Literatura • | Benito Pérez Galdós • Mapuche myths • Sociologia de la llengua • Einaudi editore • Artistic deformation • Beauty • Inmigrante • Nationalism • | Conquista del desierto • Cultural hybridity • Hibridismo cultural • Ecology • Italo Calvino • | Bernardo Atxaga • Ideology • Contemporary Spanish literature • Poetry • | Wilcock • True Crime • Desert conquest • Immigration • Dialogo letterario • No ficción • Miguel Ángel Hernández • Immigrant • Figurativización • García Maroto • Estructura social • Social structure • Paisaje • Misogyny • | Assaig • | Italo Calvino • True crime • Negrismo • Novelas • España • Identity • Lagunas textuales • Mujer • Misoginia • Paradox • Criticism • Letteratura ispanoamericana • Negritud • | Deformación artística
Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language es, ca, it
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