Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Borges • | Inmigración • Einaudi editore • Baroque • Mise en abyme • Técnicas retóricas • | Valerián de Hungría • Poetry • Libri di cavalleria • Women • Cuba vanguardias • | Deformación artística • Cinema • Mitos mapuches • Textual lacunas • Identity • Immigrant • Negros • Surrealismo • Ideology • El dolor los demás • España • Literature • Figurativización • | Literatura española contemporánea • Cuban avant-garde • | Wilcock • Hispano-American literature • No ficción • Bernardo Atxaga • Desert conquest • Puesta en perspectiva narrativa • Landscape • Surrealism • Estructura social • Dibuxos grabados • Ecología • Novelas • | Castelao • Sociology of language • Criticism • Critica • Letteratura ispanoamericana • Ideologia • Wilcock • | Conquista del desierto • Italo Calvino • Sociologia de la llengua • Negrismo • | Assaig • True Crime • Essay • Mujer • Inmigrante • Ecology • Spanish Republic • Hibridismo cultural • Identidad • Valerián de Hungría • Publishing industry • Poetical discourse • Reticence • Rhetorical techniques • | Bernardo Atxaga • Paradox • Poesía • Beauty • Artistic deformation • Reticencia • Nationalism • Galdós’ novels • Literary dialogues • Miguel Ángel Hernández • Romances of Chivalry • Misogyny • El dolor de los demás • Discurso • Mapuche myths • Lagunas textuales • Nonfiction • Narrative perspective • Contemporary Spanish literature • Negritud • Caballero Bonald • Editoria • Nacionalisme • Social structure • Paralipsis • Social science • Barroco • Misoginia • True crime • García Maroto • Bellezza • Literatura • Cultural hybridity • Paisaje • Ciència social • | Benito Pérez Galdós • | Italo Calvino • Castelao • Dialogo letterario • Immigration • Aposiopesis • Paradosso

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language ca, es, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.