Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Essay • Desert conquest • | Assaig • Ideologia • Negritud • Cuba vanguardias • | Castelao • Borges • Castelao • Libri di cavalleria • Reticence • Bellezza • Rhetorical techniques • Literature • Immigrant • Hispano-American literature • El dolor los demás • Dialogo letterario • Textual lacunas • Barroco • Inmigrante • | Valerián de Hungría • Social structure • Discurso • Cinema • Dibuxos grabados • Mitos mapuches • Misogyny • Figurativización • Poetry • Ciència social • Immigration • Técnicas retóricas • | Bernardo Atxaga • Poesía • Ecología • Literary dialogues • Contemporary Spanish literature • True Crime • Social science • Negrismo • Sociologia de la llengua • Paisaje • | Conquista del desierto • Lagunas textuales • Spanish Republic • No ficción • García Maroto • Paralipsis • Poetical discourse • Valerián de Hungría • Novelas • | Wilcock • Critica • | Benito Pérez Galdós • | Deformación artística • | Inmigración • Mise en abyme • Narrative perspective • Beauty • Ecology • Criticism • Nacionalisme • Editoria • Nonfiction • Identidad • Landscape • Reticencia • Cultural hybridity • Negros • Bernardo Atxaga • Nationalism • Surrealism • Paradosso • True crime • Italo Calvino • Estructura social • Ideology • Hibridismo cultural • Wilcock • Caballero Bonald • Publishing industry • Women • Baroque • Miguel Ángel Hernández • Misoginia • | Literatura española contemporánea • Artistic deformation • Literatura • Identity • Paradox • El dolor de los demás • España • Galdós’ novels • Mujer • Aposiopesis • | Italo Calvino • Surrealismo • Puesta en perspectiva narrativa • Mapuche myths • Sociology of language • Einaudi editore • Cuban avant-garde • Letteratura ispanoamericana • Romances of Chivalry

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language es, ca, it

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