Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Narrative perspective • Mujer • Nonfiction • Cinema • Ciència social • Hispano-American literature • Baroque • Misogyny • Poesía • Puesta en perspectiva narrativa • | Inmigración • Editoria • Galdós’ novels • Poetry • Criticism • | Assaig • Inmigrante • El dolor de los demás • Einaudi editore • | Bernardo Atxaga • Identidad • Discurso • Miguel Ángel Hernández • Desert conquest • | Valerián de Hungría • Nationalism • Ecology • Cultural hybridity • True Crime • Valerián de Hungría • Caballero Bonald • Figurativización • Social structure • | Conquista del desierto • Cuba vanguardias • Dibuxos grabados • Identity • Paisaje • Negros • Estructura social • Letteratura ispanoamericana • Literature • Borges • Castelao • Aposiopesis • | Wilcock • Ideology • Paralipsis • Immigrant • Spanish Republic • Textual lacunas • Wilcock • Nacionalisme • El dolor los demás • True crime • Barroco • Contemporary Spanish literature • García Maroto • Libri di cavalleria • Surrealism • Romances of Chivalry • Negritud • Negrismo • | Deformación artística • Novelas • Hibridismo cultural • Lagunas textuales • Paradosso • | Italo Calvino • Women • | Literatura española contemporánea • No ficción • Literatura • Reticence • Paradox • | Benito Pérez Galdós • España • Bernardo Atxaga • Reticencia • Sociologia de la llengua • Técnicas retóricas • Literary dialogues • Rhetorical techniques • Ideologia • Critica • Publishing industry • Misoginia • Mise en abyme • Sociology of language • Social science • Dialogo letterario • Immigration • Artistic deformation • | Castelao • Surrealismo • Ecología • Mapuche myths • Landscape • Beauty • Poetical discourse • Mitos mapuches • Bellezza • Cuban avant-garde • Essay • Italo Calvino

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language es, ca, it

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