Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords García Maroto • | Bernardo Atxaga • Estructura social • | Literatura española contemporánea • Barroco • Hispano-American literature • Mise en abyme • Mujer • Beauty • Aposiopesis • | Castelao • Galdós’ novels • Criticism • Literary dialogues • Puesta en perspectiva narrativa • True crime • Novelas • Desert conquest • Negritud • Mitos mapuches • Cultural hybridity • Misogyny • Borges • Poetical discourse • Artistic deformation • Contemporary Spanish literature • Publishing industry • Cuban avant-garde • Ideologia • | Wilcock • Critica • Ecología • Italo Calvino • Letteratura ispanoamericana • Ciència social • España • Essay • Poesía • Reticence • Miguel Ángel Hernández • Nonfiction • Mapuche myths • | Assaig • Immigrant • Surrealismo • Paradosso • Spanish Republic • Dibuxos grabados • Literature • Reticencia • Valerián de Hungría • Women • Einaudi editore • Editoria • Inmigrante • Caballero Bonald • El dolor de los demás • Dialogo letterario • Surrealism • No ficción • Baroque • Cuba vanguardias • Textual lacunas • Wilcock • Identidad • Negros • Libri di cavalleria • Hibridismo cultural • Técnicas retóricas • Literatura • Nacionalisme • Paisaje • True Crime • Figurativización • Narrative perspective • | Conquista del desierto • Sociologia de la llengua • Castelao • Identity • | Italo Calvino • | Valerián de Hungría • Ideology • Misoginia • Landscape • Bellezza • Negrismo • Immigration • Social structure • Ecology • Rhetorical techniques • Nationalism • Cinema • Romances of Chivalry • El dolor los demás • Poetry • Paralipsis • Discurso • | Benito Pérez Galdós • Social science • Sociology of language • Lagunas textuales • Paradox • Bernardo Atxaga • | Deformación artística • | Inmigración

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language ca, it, es

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