Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

20 | 2018

open access | peer reviewed
Abstract

Keywords Identity • Mixed languages • Linguistic musicality • Caribbean songs • Music • Aesthetic-real • Translation as hermeneutic process • Depestre • Caribbean literature • Biennale 2018 • Power and subjectivity • Translation as negotiation • Music and semiotics • Venice Architecture • Caribbean music • Diaspora • Styleme • Art • Imperialism • Style • History • Elgar • Trace • Haïtianité • Patrick McCabe • Kannjawou • Science of Rhythm • Interculturalism • Hamilton • Embodied reading • Lyonel Trouillot • Said • Figure of the prostitute • Bakhtin • Carnival • Ethnography • Francophone literature • Masque • Historical-real • Fantastic • Rhetoric figure • Stylistics • Stanley Péan • Poetry • Joyce • Caribbean • Subversion • Linguistic characterisation • Marasa and zombie • Algeria • Intertextuality • Haitian literature

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Published Dec. 21, 2018 | Language fr, it, en

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