Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

20 | 2018

open access | peer reviewed
Abstract

Keywords Biennale 2018 • Caribbean • Figure of the prostitute • Music and semiotics • Style • Bakhtin • Styleme • Carnival • Caribbean songs • Translation as negotiation • Haïtianité • Francophone literature • Kannjawou • Haitian literature • Said • Embodied reading • Stanley Péan • Science of Rhythm • Stylistics • Algeria • Patrick McCabe • Art • History • Music • Masque • Depestre • Linguistic musicality • Mixed languages • Fantastic • Imperialism • Lyonel Trouillot • Marasa and zombie • Aesthetic-real • Historical-real • Linguistic characterisation • Identity • Caribbean music • Hamilton • Poetry • Intertextuality • Rhetoric figure • Subversion • Joyce • Caribbean literature • Elgar • Ethnography • Power and subjectivity • Diaspora • Interculturalism • Trace • Venice Architecture • Translation as hermeneutic process

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Published Dec. 21, 2018 | Language en, it, fr

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