Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

20 | 2018

open access | peer reviewed
Abstract

Keywords Poetry • Caribbean songs • Hamilton • Haïtianité • Biennale 2018 • Subversion • Depestre • Embodied reading • Styleme • Linguistic musicality • Ethnography • Translation as hermeneutic process • Figure of the prostitute • Said • Historical-real • Intertextuality • Caribbean literature • Venice Architecture • Caribbean • Stylistics • Caribbean music • Interculturalism • Music and semiotics • Carnival • Fantastic • Algeria • Linguistic characterisation • History • Art • Stanley Péan • Diaspora • Aesthetic-real • Elgar • Bakhtin • Translation as negotiation • Patrick McCabe • Masque • Joyce • Rhetoric figure • Kannjawou • Marasa and zombie • Power and subjectivity • Style • Mixed languages • Music • Lyonel Trouillot • Francophone literature • Science of Rhythm • Haitian literature • Imperialism • Trace • Identity

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Published Dec. 21, 2018 | Language it, en, fr

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