Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

20 | 2018

open access | peer reviewed
Abstract

Keywords Biennale 2018 • Carnival • Hamilton • Caribbean • Art • Patrick McCabe • Caribbean music • Style • Bakhtin • Figure of the prostitute • Haïtianité • Aesthetic-real • Imperialism • Caribbean literature • Joyce • Linguistic musicality • Fantastic • Depestre • Interculturalism • Translation as hermeneutic process • Science of Rhythm • Embodied reading • Mixed languages • Caribbean songs • Poetry • Subversion • Venice Architecture • Elgar • Marasa and zombie • History • Lyonel Trouillot • Power and subjectivity • Historical-real • Linguistic characterisation • Stylistics • Ethnography • Kannjawou • Music • Haitian literature • Intertextuality • Music and semiotics • Masque • Algeria • Identity • Francophone literature • Translation as negotiation • Styleme • Trace • Diaspora • Said • Rhetoric figure • Stanley Péan

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Published Dec. 21, 2018 | Language en, it, fr

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