Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

20 | 2018

open access | peer reviewed
Abstract

Keywords Said • Linguistic musicality • Patrick McCabe • Translation as hermeneutic process • Style • Aesthetic-real • Trace • Art • Identity • Bakhtin • Subversion • Fantastic • Biennale 2018 • Mixed languages • History • Stylistics • Figure of the prostitute • Music and semiotics • Linguistic characterisation • Historical-real • Styleme • Kannjawou • Intertextuality • Joyce • Ethnography • Algeria • Diaspora • Haitian literature • Lyonel Trouillot • Translation as negotiation • Venice Architecture • Caribbean literature • Music • Caribbean songs • Power and subjectivity • Depestre • Interculturalism • Caribbean music • Poetry • Stanley Péan • Hamilton • Carnival • Rhetoric figure • Marasa and zombie • Masque • Science of Rhythm • Francophone literature • Embodied reading • Haïtianité • Imperialism • Caribbean • Elgar

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Published Dec. 21, 2018 | Language it, fr, en

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