Rivista | Il Tolomeo
Fascicolo | 20 | 2018

20 | 2018

open access | peer reviewed
Abstract

Keywords Identity • Aesthetic-real • Stylistics • Style • Caribbean • Stanley Péan • Translation as negotiation • Kannjawou • Caribbean music • Power and subjectivity • Caribbean literature • Imperialism • Ethnography • History • Interculturalism • Mixed languages • Trace • Bakhtin • Historical-real • Intertextuality • Marasa and zombie • Music • Algeria • Haitian literature • Linguistic musicality • Music and semiotics • Masque • Patrick McCabe • Lyonel Trouillot • Styleme • Art • Figure of the prostitute • Rhetoric figure • Caribbean songs • Said • Poetry • Linguistic characterisation • Joyce • Venice Architecture • Hamilton • Depestre • Biennale 2018 • Francophone literature • Fantastic • Embodied reading • Translation as hermeneutic process • Diaspora • Haïtianité • Elgar • Carnival • Subversion • Science of Rhythm

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Pubblicato 21 Dicembre 2018 | Lingua en, fr, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

chevron_left chevron_right

downloadfile_download

  • file_download 155
  • search 1404
  • format_quote 0