Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

20 | 2018

open access | peer reviewed
Abstract

Keywords Linguistic characterisation • Imperialism • Joyce • Caribbean music • Rhetoric figure • Caribbean songs • Style • Figure of the prostitute • Caribbean • Historical-real • Haïtianité • Linguistic musicality • Lyonel Trouillot • Trace • Translation as negotiation • Music and semiotics • Mixed languages • Science of Rhythm • Stylistics • Haitian literature • Marasa and zombie • Art • Music • Kannjawou • Embodied reading • Intertextuality • Francophone literature • Biennale 2018 • Poetry • Elgar • Bakhtin • Interculturalism • Stanley Péan • Styleme • Caribbean literature • Power and subjectivity • Translation as hermeneutic process • Subversion • Masque • Identity • Hamilton • Patrick McCabe • Depestre • Ethnography • Algeria • Venice Architecture • Said • Aesthetic-real • Carnival • Diaspora • Fantastic • History

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Published Dec. 21, 2018 | Language en, fr, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.