The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature
edited by
Language: en
Published: Dec. 21, 2020
Harriet Beecher Stowe • Vampire • Ann Radcliffe • Empiricism • Marvellous • Escapism • Religious and political propaganda • The Castle of Otranto • Virginia Woolf • Transatlantic literature • Elizabethan England • Gothic Novel • Joseph Conrad • Fantastic • The Mysteries of Udolpho • Victorian Era • Ghost Story • Aesthetics • Deformed pigs • Form • Islands • Ruyard Kipling • Olalla • Geopoetics • Gothic novel • Realism • Supernatural Horror • Monstrous births • Genre • Supernatural • Stevenson • Foley effects • Space • Wells • Mimetic Dimension • Aesthetic Culture • Late-Victorian Context • Romance • Mysticism • Doyle • Edmund Burke • Fin de siècle • Street literature • Narrative • Horace Walpole • Gothic • Spiritualism • Robert Louis Stevenson • Hybridity • Monsters • George Eliot • The Sublime • Uncanny • Henry James • Psycho-acoustic ambience • The ‘Aesthetic Fantastic’ • Border-crossing • Narrative Annexe