Fragile Selves
open access | peer reviewed-
edited by
- Giulia Baquè - Università Ca’ Foscari Venezia, Italia - email
- Rossella Roncati - Università Ca’ Foscari Venezia, Italia - email
Keywords Fragility • Postcolonial studies • Radio • Extinction studies • Cold War, Cultural Diplomacy, Modern Dance, United • Marginalisation • Meiji Restoration • Marketisation • Imperial taboo • Art-house cinema • Moral panics • Sound • Vulnerability • Taiwanese identity • China • Psychopolitics • Cultural analysis • Literature and Cinema • New historicism • Decolonization • COVID-19 • Feminism • Theatre of power • Taiwan cinema • Sexual assault • Necropolitics • Critical theory • National cinema • Neo-Marxism • Ontological securitisation • Public sympathy • Political space • Authorship • Historical narrative • Noise • Precarity • Subalternity • Negotiation • Transgender • Chinese art-house cinema • Loudspeaker • Soundscape • Neoliberalism • Resistance • Necrocene • Statues • Censorship
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Published Dec. 1, 2023 | Language en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.