Fragile Selves
open access | peer reviewed-
edited by
- Giulia Baquè - Università Ca’ Foscari Venezia, Italia - email
- Rossella Roncati - Università Ca’ Foscari Venezia, Italia - email
Keywords Marginalisation • Radio • Neo-Marxism • Extinction studies • Literature and Cinema • Historical narrative • Transgender • Political space • Censorship • Theatre of power • Fragility • Decolonization • Public sympathy • Loudspeaker • Imperial taboo • Sexual assault • China • Cultural analysis • Necrocene • Marketisation • Subalternity • Soundscape • Vulnerability • National cinema • Chinese art-house cinema • Postcolonial studies • Cold War, Cultural Diplomacy, Modern Dance, United • Taiwanese identity • Meiji Restoration • Necropolitics • Moral panics • Noise • Statues • New historicism • Precarity • COVID-19 • Critical theory • Negotiation • Feminism • Art-house cinema • Ontological securitisation • Taiwan cinema • Authorship • Neoliberalism • Psychopolitics • Sound • Resistance
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Published Dec. 1, 2023 | Language en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.