Studi e ricerche

The Merchant in Venice: Shakespeare in the Ghetto

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open access
    edited by
  • Shaul Bassi - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Carol Chillington Rutter - University of Warwick, UK - email

Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords OperaShakespeare’s comedies of loveFoersterGhettoActors on ShakespeareJessicaAestheticismMercyMemoryReynaldo HahnSite specific performanceTheatre designAntonioVeniceShylockJewsThe Merchant of Venice in the GhettoCiro PinsutiMusicLancelot GobboChildren reading ShakespeareCostume designShakespeare’s trial scenesLewis CarrollPortiaHumanitiesGratianoHolocaustMock Trial: Shylock vCompagnia de’ ColombariThe Merchant in the GhettoHistoryPerforming ShakespeareRehearsalMock Appeal: Shylock vBassanioDesigning ShakespeareNarrativizationLighting designSite-specific ShakespeareCharles and Mary LambMario Castelnuovo-TedescoMurray AbrahamAntisemitismDirecting ShakespeareJosef BLorenzoAdrian BeechamAldo FinziThe Merchant of VeniceAdapting ShakespeareKarin CoonrodThe quality of mercyLaurence OlivierAdaptationMusic designGeorge Braque and ShakespeareFictionHeritageOtto TaubmannRuth Bader GinsburgSite-specific designChildren’s literatureTranslationChromaticismSite-specific performanceF

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Number of pages 238 | Dimensions 16x23cm | Published June 10, 2021 | Language en