Series |
Studi e ricerche
Volume 25 | Edited book | The Merchant in Venice: Shakespeare in the Ghetto
The Merchant in Venice: Shakespeare in the Ghetto
open access-
edited by
- Shaul Bassi - Università Ca’ Foscari Venezia, Italia - email orcid profile
- Carol Chillington Rutter - University of Warwick, UK - email
Abstract
This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.
Keywords Fiction • Mock Appeal: Shylock v • Murray Abraham • Aldo Finzi • Antisemitism • Humanities • Children reading Shakespeare • Gratiano • Mercy • Shakespeare’s comedies of love • Shakespeare’s trial scenes • Rehearsal • Site specific performance • Ciro Pinsuti • Lancelot Gobbo • Mock Trial: Shylock v • Karin Coonrod • Translation • Venice • Lorenzo • Ghetto • Mario Castelnuovo-Tedesco • Shylock • Music • The Merchant of Venice • Costume design • Bassanio • Adapting Shakespeare • Aestheticism • Actors on Shakespeare • Antonio • Laurence Olivier • Lighting design • The Merchant of Venice in the Ghetto • Theatre design • Otto Taubmann • Designing Shakespeare • Performing Shakespeare • Foerster • Chromaticism • Site-specific design • The Merchant in the Ghetto • F • Directing Shakespeare • George Braque and Shakespeare • Adrian Beecham • Jessica • Narrativization • Jews • Charles and Mary Lamb • Opera • History • Portia • Adaptation • The quality of mercy • Compagnia de’ Colombari • Holocaust • Site-specific performance • Music design • Ruth Bader Ginsburg • Reynaldo Hahn • Heritage • Josef B • Children’s literature • Memory • Lewis Carroll • Site-specific Shakespeare
Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Number of pages 238 | Dimensions 16x23cm | Published June 10, 2021 | Language en
Copyright © 2021 Shaul Bassi, Carol Chillington Rutter. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
- Introduction
- Shaul Bassi, Carol Chillington Rutter
- June 10, 2021
Part 1. Making The Merchant in the Ghetto
- “Shylock is Dead”: Shakespeare In and Beyond the Ghetto
- Shaul Bassi
- June 10, 2021
- Gathering Strangers
- Karin Coonrod, Davina Moss
- June 10, 2021
- Collaborative Spectacle: Designing The Merchant in the Ghetto
- Frank London, Stefano Nicolao, Peter Ksander
- June 10, 2021
- The Actors Speak
- Michele Athos Guidi, Jenni Lea-Jones, Linda Powell, Paul Spera, Francesca Sarah Toich, Michelle Uranowitz
- June 10, 2021
- Playing the Angles: Finding Shylock and Gratiano
- Sorab Wadia
- June 10, 2021
Part 2. Taking The Merchant Beyond the Ghetto
- The Merchant ‘in’ Venice and The Shylock Project: Fiction, History, and the Humanities
- Kent Cartwright
- June 10, 2021
- Shylock, Our Contemporary
- Clive Sinclair
- June 10, 2021
- Shylock’s Mock Appeal
- Howard Jacobson
- June 10, 2021
- Trying Portia
- Carol Chillington Rutter
- June 10, 2021
- Composing the Jew’s Soundscape in Operatic Versions of The Merchant of Venice
- Judah Cohen
- June 10, 2021
- “Antonio, il mercante della nostra storia”: Adapting The Merchant of Venice for Italian Children
- Laura Tosi
- June 10, 2021
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_book_486 |
|
dc.creator |
Bassi Shaul |
|
dc.creator |
Chillington Rutter Carol |
|
dc.title |
The Merchant in Venice: Shakespeare in the Ghetto |
|
dc.type |
Edited book |
|
dc.language.iso |
en |
|
dc.description.abstract |
This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange. |
|
dc.relation.ispartof |
Studi e ricerche |
|
dc.identifier.doi |
10.30687/978-88-6969-503-2 |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
|
dc.issued |
2021-06-10 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-504-9/ |
|
dc.identifier.issn |
2610-993X |
|
dc.identifier.eissn |
2610-9123 |
|
dc.identifier.isbn |
978-88-6969-504-9 |
|
dc.identifier.eisbn |
978-88-6969-503-2 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
no |
|
dc.subject |
Actors on Shakespeare |
|
dc.subject |
Actors on Shakespeare |
|
dc.subject |
Actors on Shakespeare |
|
dc.subject |
Actors on Shakespeare |
|
dc.subject |
Actors on Shakespeare |
|
dc.subject |
Adaptation |
|
dc.subject |
Adaptation |
|
dc.subject |
Adaptation |
|
dc.subject |
Adaptation |
|
dc.subject |
Adaptation |
|
dc.subject |
Adapting Shakespeare |
|
dc.subject |
Adapting Shakespeare |
|
dc.subject |
Adapting Shakespeare |
|
dc.subject |
Adrian Beecham |
|
dc.subject |
Adrian Beecham |
|
dc.subject |
Adrian Beecham |
|
dc.subject |
Aestheticism |
|
dc.subject |
Aestheticism |
|
dc.subject |
Aestheticism |
|
dc.subject |
Aldo Finzi |
|
dc.subject |
Aldo Finzi |
|
dc.subject |
Aldo Finzi |
|
dc.subject |
Antisemitism |
|
dc.subject |
Antisemitism |
|
dc.subject |
Antisemitism |
|
dc.subject |
Antisemitism |
|
dc.subject |
Antisemitism |
|
dc.subject |
Antonio |
|
dc.subject |
Antonio |
|
dc.subject |
Antonio |
|
dc.subject |
Antonio |
|
dc.subject |
Antonio |
|
dc.subject |
Bassanio |
|
dc.subject |
Bassanio |
|
dc.subject |
Bassanio |
|
dc.subject |
Charles and Mary Lamb |
|
dc.subject |
Charles and Mary Lamb |
|
dc.subject |
Charles and Mary Lamb |
|
dc.subject |
Children reading Shakespeare |
|
dc.subject |
Children reading Shakespeare |
|
dc.subject |
Children reading Shakespeare |
|
dc.subject |
Children’s literature |
|
dc.subject |
Children’s literature |
|
dc.subject |
Children’s literature |
|
dc.subject |
Chromaticism |
|
dc.subject |
Chromaticism |
|
dc.subject |
Chromaticism |
|
dc.subject |
Ciro Pinsuti |
|
dc.subject |
Ciro Pinsuti |
|
dc.subject |
Ciro Pinsuti |
|
dc.subject |
Compagnia de’ Colombari |
|
dc.subject |
Compagnia de’ Colombari |
|
dc.subject |
Compagnia de’ Colombari |
|
dc.subject |
Compagnia de’ Colombari |
|
dc.subject |
Compagnia de’ Colombari |
|
dc.subject |
Costume design |
|
dc.subject |
Costume design |
|
dc.subject |
Costume design |
|
dc.subject |
Designing Shakespeare |
|
dc.subject |
Designing Shakespeare |
|
dc.subject |
Designing Shakespeare |
|
dc.subject |
Directing Shakespeare |
|
dc.subject |
Directing Shakespeare |
|
dc.subject |
Directing Shakespeare |
|
dc.subject |
F |
|
dc.subject |
Fiction |
|
dc.subject |
Fiction |
|
dc.subject |
Fiction |
|
dc.subject |
Foerster |
|
dc.subject |
Foerster |
|
dc.subject |
Foerster |
|
dc.subject |
George Braque and Shakespeare |
|
dc.subject |
George Braque and Shakespeare |
|
dc.subject |
George Braque and Shakespeare |
|
dc.subject |
Ghetto |
|
dc.subject |
Ghetto |
|
dc.subject |
Ghetto |
|
dc.subject |
Ghetto |
|
dc.subject |
Ghetto |
|
dc.subject |
Gratiano |
|
dc.subject |
Gratiano |
|
dc.subject |
Gratiano |
|
dc.subject |
Heritage |
|
dc.subject |
Heritage |
|
dc.subject |
Heritage |
|
dc.subject |
History |
|
dc.subject |
History |
|
dc.subject |
History |
|
dc.subject |
Holocaust |
|
dc.subject |
Holocaust |
|
dc.subject |
Holocaust |
|
dc.subject |
Humanities |
|
dc.subject |
Humanities |
|
dc.subject |
Humanities |
|
dc.subject |
Jessica |
|
dc.subject |
Jessica |
|
dc.subject |
Jessica |
|
dc.subject |
Jews |
|
dc.subject |
Jews |
|
dc.subject |
Jews |
|
dc.subject |
Josef B |
|
dc.subject |
Josef B |
|
dc.subject |
Josef B |
|
dc.subject |
Karin Coonrod |
|
dc.subject |
Karin Coonrod |
|
dc.subject |
Karin Coonrod |
|
dc.subject |
Lancelot Gobbo |
|
dc.subject |
Lancelot Gobbo |
|
dc.subject |
Lancelot Gobbo |
|
dc.subject |
Laurence Olivier |
|
dc.subject |
Laurence Olivier |
|
dc.subject |
Laurence Olivier |
|
dc.subject |
Lewis Carroll |
|
dc.subject |
Lewis Carroll |
|
dc.subject |
Lewis Carroll |
|
dc.subject |
Lighting design |
|
dc.subject |
Lighting design |
|
dc.subject |
Lighting design |
|
dc.subject |
Lorenzo |
|
dc.subject |
Lorenzo |
|
dc.subject |
Lorenzo |
|
dc.subject |
Mario Castelnuovo-Tedesco |
|
dc.subject |
Mario Castelnuovo-Tedesco |
|
dc.subject |
Mario Castelnuovo-Tedesco |
|
dc.subject |
Memory |
|
dc.subject |
Memory |
|
dc.subject |
Memory |
|
dc.subject |
Mercy |
|
dc.subject |
Mercy |
|
dc.subject |
Mercy |
|
dc.subject |
Mock Appeal: Shylock v |
|
dc.subject |
Mock Appeal: Shylock v |
|
dc.subject |
Mock Appeal: Shylock v |
|
dc.subject |
Mock Trial: Shylock v |
|
dc.subject |
Mock Trial: Shylock v |
|
dc.subject |
Mock Trial: Shylock v |
|
dc.subject |
Murray Abraham |
|
dc.subject |
Murray Abraham |
|
dc.subject |
Murray Abraham |
|
dc.subject |
Music |
|
dc.subject |
Music |
|
dc.subject |
Music |
|
dc.subject |
Music design |
|
dc.subject |
Music design |
|
dc.subject |
Music design |
|
dc.subject |
Narrativization |
|
dc.subject |
Narrativization |
|
dc.subject |
Narrativization |
|
dc.subject |
Opera |
|
dc.subject |
Opera |
|
dc.subject |
Opera |
|
dc.subject |
Otto Taubmann |
|
dc.subject |
Otto Taubmann |
|
dc.subject |
Otto Taubmann |
|
dc.subject |
Performing Shakespeare |
|
dc.subject |
Performing Shakespeare |
|
dc.subject |
Performing Shakespeare |
|
dc.subject |
Performing Shakespeare |
|
dc.subject |
Performing Shakespeare |
|
dc.subject |
Portia |
|
dc.subject |
Portia |
|
dc.subject |
Portia |
|
dc.subject |
Portia |
|
dc.subject |
Portia |
|
dc.subject |
Portia |
|
dc.subject |
Portia |
|
dc.subject |
Rehearsal |
|
dc.subject |
Rehearsal |
|
dc.subject |
Rehearsal |
|
dc.subject |
Rehearsal |
|
dc.subject |
Rehearsal |
|
dc.subject |
Reynaldo Hahn |
|
dc.subject |
Reynaldo Hahn |
|
dc.subject |
Reynaldo Hahn |
|
dc.subject |
Ruth Bader Ginsburg |
|
dc.subject |
Ruth Bader Ginsburg |
|
dc.subject |
Ruth Bader Ginsburg |
|
dc.subject |
Shakespeare’s comedies of love |
|
dc.subject |
Shakespeare’s comedies of love |
|
dc.subject |
Shakespeare’s comedies of love |
|
dc.subject |
Shakespeare’s trial scenes |
|
dc.subject |
Shakespeare’s trial scenes |
|
dc.subject |
Shakespeare’s trial scenes |
|
dc.subject |
Shylock |
|
dc.subject |
Shylock |
|
dc.subject |
Shylock |
|
dc.subject |
Shylock |
|
dc.subject |
Shylock |
|
dc.subject |
Shylock |
|
dc.subject |
Shylock |
|
dc.subject |
Shylock |
|
dc.subject |
Shylock |
|
dc.subject |
Shylock |
|
dc.subject |
Shylock |
|
dc.subject |
Shylock |
|
dc.subject |
Shylock |
|
dc.subject |
Shylock |
|
dc.subject |
Shylock |
|
dc.subject |
Site specific performance |
|
dc.subject |
Site specific performance |
|
dc.subject |
Site specific performance |
|
dc.subject |
Site-specific Shakespeare |
|
dc.subject |
Site-specific Shakespeare |
|
dc.subject |
Site-specific Shakespeare |
|
dc.subject |
Site-specific design |
|
dc.subject |
Site-specific design |
|
dc.subject |
Site-specific design |
|
dc.subject |
Site-specific performance |
|
dc.subject |
Site-specific performance |
|
dc.subject |
Site-specific performance |
|
dc.subject |
The Merchant in the Ghetto |
|
dc.subject |
The Merchant in the Ghetto |
|
dc.subject |
The Merchant of Venice |
|
dc.subject |
The Merchant of Venice |
|
dc.subject |
The Merchant of Venice |
|
dc.subject |
The Merchant of Venice |
|
dc.subject |
The Merchant of Venice |
|
dc.subject |
The Merchant of Venice |
|
dc.subject |
The Merchant of Venice |
|
dc.subject |
The Merchant of Venice |
|
dc.subject |
The Merchant of Venice |
|
dc.subject |
The Merchant of Venice |
|
dc.subject |
The Merchant of Venice |
|
dc.subject |
The Merchant of Venice |
|
dc.subject |
The Merchant of Venice |
|
dc.subject |
The Merchant of Venice |
|
dc.subject |
The Merchant of Venice |
|
dc.subject |
The Merchant of Venice |
|
dc.subject |
The Merchant of Venice |
|
dc.subject |
The Merchant of Venice in the Ghetto |
|
dc.subject |
The Merchant of Venice in the Ghetto |
|
dc.subject |
The Merchant of Venice in the Ghetto |
|
dc.subject |
The quality of mercy |
|
dc.subject |
The quality of mercy |
|
dc.subject |
The quality of mercy |
|
dc.subject |
Theatre design |
|
dc.subject |
Theatre design |
|
dc.subject |
Theatre design |
|
dc.subject |
Translation |
|
dc.subject |
Translation |
|
dc.subject |
Translation |
|
dc.subject |
Venice |
|
dc.subject |
Venice |
|
dc.subject |
Venice |
|
dc.subject |
Venice |
|
dc.subject |
Venice |
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