Series |
Storie dell’arte contemporanea
Edited book | Storie della Biennale di Venezia
Chapter | Il Padiglione coreano a Venezia: una questione identitaria
Il Padiglione coreano a Venezia: una questione identitaria
- Samantha Chia email
Abstract
The Korean Pavilion was held at Venice Biennale’s Centenary, in 1995. This essay reconstructs historical events that led to the creation of a National pavilion for the whole Korean peninsula, which eventually found its place in the traditional site of the Biennale: the ‘Giardini’ area. The analysis of its exhibitions and the story of the pavilion mesh and intertwine. During these twenty-four years, between 1995 and 2019, the Korean contemporary art changed and today it is so different from the typical Orientalist idea of Korean traditional art. Identity issue is leitmotiv of those art shows and of a generation of artists born after the Korean war, traumatised by political fast changes, in a different economical and social scene. The Korean Pavilion at the Venice Biennale is a proof of this artistic and social journey.
Published Dec. 18, 2019 | Language: it
Keywords Identity issue • Korean contemporary art • Venice Biennale • Korean identity • Korean Pavilion
Copyright © 2019 Samantha Chia. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-366-3/024
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L’Archivio della Biennale
Non solo memoria - Debora Rossi
- Dec. 18, 2019
- Introduzione
- Stefania Portinari, Nico Stringa
- Dec. 18, 2019
Storie della Biennale: nuove ricerche
- Comunicazione e graphic design della Biennale di Venezia (1895-1950)
- Cristina Fontana
- Dec. 18, 2019
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Le donne artiste alla Biennale d’arte di Venezia
Le scultrici e le prime edizioni (1895-1912) - Clarissa Coidessa
- Dec. 18, 2019
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Gli artisti veneziani alla Biennale (1895-1905)
Organizzatori ed espositori: l’antinomia dei ruoli - Matilde Ferrarin
- Dec. 18, 2019
- 1914. Galileo Chini a Venezia
- Massimo De Grassi
- Dec. 18, 2019
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I pittori veneti alle ‘Biennali di Pallucchini’ (1948-1956)
Le partecipazioni e la ricezione della stampa - Elisa Rampazzo
- Dec. 18, 2019
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Palma Bucarelli e la Biennale di Venezia (1948-1968)
Acquisizioni della Direttrice per la Galleria Nazionale d’Arte Moderna di Roma - Giorgia Cicalini
- Dec. 18, 2019
- Umbro Apollonio e l’archivio della Biennale di Venezia (1948-1972)
- Vittorio Pajusco
- Dec. 18, 2019
- Dell'Archivio Storico delle Arti Contemporanee «la Biblioteca n’era il principio»
- Giorgia Marchesin
- Dec. 18, 2019
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Narcissus Garden for Sale: «one piece 2 dollars»
Yayoi Kusama alla Biennale di Venezia nel 1966 - Stefania Portinari
- Dec. 18, 2019
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Il gioco di nessuno
La forma biennale tra Venezia e Parigi nella fotografia del dopoguerra fino agli anni Ottanta - Francesca Dolzani
- Dec. 18, 2019
- Jeff Koons alla XLIV Esposizione Internazionale d’Arte La Biennale di Venezia (1990)
- Laura Sabina De Stefano
- Dec. 18, 2019
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«What kind of dirt do you need?»
Da San Diego e Tijuana a Venezia: Border Art oltre i confini - Andrea Masala
- Dec. 18, 2019
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«All We Are Saying Is Give Pizza Chance»
L’effetto YBA e l’irruzione di una nuova generazione alle Biennali degli anni Novanta del Novecento - Diego Mantoan
- Dec. 18, 2019
- Arte relazionale alla Biennale di Venezia dal 1999 al 2017
- Francesca Amadi
- Dec. 18, 2019
- Dak’Art. Biennale de l'Arte Africain Contemporain
- Chiara Pattaro
- Dec. 18, 2019
Mapping pavilions
- L’Argentina alla Biennale d’Arte di Venezia
- Paola Natalia Pepa
- Dec. 18, 2019
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La Spagna nelle prime Biennali veneziane del secondo dopoguerra
La ricezione della stampa - Romina Viggiano
- Dec. 18, 2019
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Breve storia di una liberazione
La Spagna alla Biennale di Venezia dal 1979 al 1999 - Giulia Crespi
- Dec. 18, 2019
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Padiglioni che denunciano, riflettono e astraggono
Un’analisi critica e trasversale della partecipazione spagnola alla Biennale di Venezia (2003-2011) - Anita Orzes
- Dec. 18, 2019
- Retelling the History of the Mexico Pavilion at La Biennale di Venezia
- Carolina Nieto Ruiz
- Dec. 18, 2019
- Il Padiglione coreano a Venezia: una questione identitaria
- Samantha Chia
- Dec. 18, 2019
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Oltre l’Adriatico
La partecipazione albanese all’Esposizione Internazionale d’Arte di Venezia - Margherita Fochessati
- Dec. 18, 2019
- Nota sui cataloghi della Biennale
- Andrea Masala
- Dec. 18, 2019
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| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_3456 |
|
dc.contributor.author |
Chia Samantha |
|
dc.title |
Il Padiglione coreano a Venezia: una questione identitaria |
|
dc.type |
Chapter |
|
dc.language.iso |
it |
|
dc.description.abstract |
The Korean Pavilion was held at Venice Biennale’s Centenary, in 1995. This essay reconstructs historical events that led to the creation of a National pavilion for the whole Korean peninsula, which eventually found its place in the traditional site of the Biennale: the ‘Giardini’ area. The analysis of its exhibitions and the story of the pavilion mesh and intertwine. During these twenty-four years, between 1995 and 2019, the Korean contemporary art changed and today it is so different from the typical Orientalist idea of Korean traditional art. Identity issue is leitmotiv of those art shows and of a generation of artists born after the Korean war, traumatised by political fast changes, in a different economical and social scene. The Korean Pavilion at the Venice Biennale is a proof of this artistic and social journey. |
|
dc.relation.ispartof |
Storie dell’arte contemporanea |
|
dc.relation.ispartof |
Atlante delle Biennali |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.issued |
2019-12-18 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-367-0/il-padiglione-coreano-a-venezia-una-questione-iden/ |
|
dc.identifier.doi |
10.30687/978-88-6969-366-3/024 |
|
dc.identifier.issn |
2610-9905 |
|
dc.identifier.eissn |
2610-9891 |
|
dc.identifier.isbn |
978-88-6969-367-0 |
|
dc.identifier.eisbn |
978-88-6969-366-3 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
no |
|
dc.subject |
Identity issue |
|
dc.subject |
Identity issue |
|
dc.subject |
Korean Pavilion |
|
dc.subject |
Korean Pavilion |
|
dc.subject |
Korean contemporary art |
|
dc.subject |
Korean contemporary art |
|
dc.subject |
Korean identity |
|
dc.subject |
Korean identity |
|
dc.subject |
Venice Biennale |
|
dc.subject |
Venice Biennale |
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