I pittori veneti alle ‘Biennali di Pallucchini’ (1948-1956)

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DC Field	Value
dc.identifier	ECF_chapter_3434
dc.contributor.author	Rampazzo Elisa
dc.title	I pittori veneti alle ‘Biennali di Pallucchini’ (1948-1956). Le partecipazioni e la ricezione della stampa
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	Venice Biennale was created to magnify this wonderful city also through the encreasing of arts, so a participation of painters born or living in the Veneto region – who originally ‘invented’, with politicians and intellectuals, the Biennale – at the beginning was always considerable. This essay focuses on the analysis of their presence at the Biennale between 1948 and 1956, when Rodolfo Pallucchini was General Secretary of the institution. It is examined through a statistical method that allows a more complete view of this mapping. Another topic is the reception on the press, that highlights the diatribe between artists and critics.
dc.relation.ispartof	Storie dell’arte contemporanea
dc.relation.ispartof	Atlante delle Biennali
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-12-18
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-367-0/i-pittori-veneti-alle-biennali-di-pallucchini-1948/
dc.identifier.doi	10.30687/978-88-6969-366-3/007
dc.identifier.issn	2610-9905
dc.identifier.eissn	2610-9891
dc.identifier.isbn	978-88-6969-367-0
dc.identifier.eisbn	978-88-6969-366-3
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Press review
dc.subject	Press review
dc.subject	Rodolfo Pallucchini
dc.subject	Rodolfo Pallucchini
dc.subject	Venetian painting
dc.subject	Venetian painting
dc.subject	Venice Biennale
dc.subject	Venice Biennale

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I pittori veneti alle ‘Biennali di Pallucchini’ (1948-1956)

Le partecipazioni e la ricezione della stampa

Elisa Rampazzo

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abstract

Venice Biennale was created to magnify this wonderful city also through the encreasing of arts, so a participation of painters born or living in the Veneto region – who originally ‘invented’, with politicians and intellectuals, the Biennale – at the beginning was always considerable. This essay focuses on the analysis of their presence at the Biennale between 1948 and 1956, when Rodolfo Pallucchini was General Secretary of the institution. It is examined through a statistical method that allows a more complete view of this mapping. Another topic is the reception on the press, that highlights the diatribe between artists and critics.

Published

Dec. 18, 2019

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ISBN (PRINT)

978-88-6969-367-0

ISBN (EBOOK)

978-88-6969-366-3

Keywords: Rodolfo Pallucchini • Venetian painting • Press review • Venice Biennale

permalink: http://doi.org/10.30687/978-88-6969-366-3/007

Copyright: © 2019 Elisa Rampazzo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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