In fuga dal nome
Pseudonimi e soprannomi nel romanzo picaresco contemporaneo
abstract
The language-symbolic relevance of aliases in a selection of contemporary picaresque novels is investigated here in the light of Lotman-Uspensky’s and Wittgenstein’s theories. These reflections will show how nicknames are not simple narrative artifices, but disclose a distinct outlook on the world in which pure nominalisation of objects and phenomena surrenders to metadescription, synonymy and the contingency of meaning.
Keywords: Semiotics • Nicknames • Picaresque
permalink: http://doi.org/10.14277/6969-110-2/SR-3-12