Series | Eurasian Studies
Edited book | «A mari usque ad mare»
Chapter | Adoption and Diffusion of the Ottoman(ized) Style Majolica Outside the Boundaries of the Ottoman Empire
Abstract
As the market demand for Ottoman pottery grew up by the end of the sixteenth century in Venice and its surrounding, it was compelling to provide the general public with more affordable imitations. On the other hand those imitations and their decoration, often neglected by the literature on Italian faience in favour of more refined productions, found their way from Italy to Central Europe and must therefore be taken in consideration once more for their importance in highlighting the contribution of Ottoman art into shaping European taste and technology.
Language: it
Keywords Ottoman ceramics • Candiana pottery • Italian-Ottoman relations • Haban faience
Copyright © 2016 Federica Broilo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/6969-085-3/EUR-4-9
Medioevo latino e bizantino
Lingue, linguistica e letterature
Arte islamica
Cultura visuale e testo
Storia dell’arte, restauro, conservazione
Storia e dinamiche identitarie riflesse nell’arte
Storia dell’arte, studi religiosi e antropologia
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_310 |
dc.contributor.author |
Broilo Federica |
dc.title |
Adoption and Diffusion of the Ottoman(ized) Style Majolica Outside the Boundaries of the Ottoman Empire. Italy and Central Europe (Seventeenth-eighteenth Centuries) |
dc.type |
Chapter |
dc.language.iso |
it |
dc.description.abstract |
As the market demand for Ottoman pottery grew up by the end of the sixteenth century in Venice and its surrounding, it was compelling to provide the general public with more affordable imitations. On the other hand those imitations and their decoration, often neglected by the literature on Italian faience in favour of more refined productions, found their way from Italy to Central Europe and must therefore be taken in consideration once more for their importance in highlighting the contribution of Ottoman art into shaping European taste and technology. |
dc.relation.ispartof |
Eurasian Studies |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2016-07-19 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-086-0/adoption-and-diffusion-of-the-ottomanized-style-ma/ |
dc.identifier.doi |
10.14277/6969-085-3/EUR-4-9 |
dc.identifier.issn |
2610-8879 |
dc.identifier.eissn |
2610-9433 |
dc.identifier.isbn |
978-88-6969-086-0 |
dc.identifier.eisbn |
978-88-6969-085-3 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Candiana pottery |
dc.subject |
Candiana pottery |
dc.subject |
Haban faience |
dc.subject |
Haban faience |
dc.subject |
Italian-Ottoman relations |
dc.subject |
Italian-Ottoman relations |
dc.subject |
Ottoman ceramics |
dc.subject |
Ottoman ceramics |
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