Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

Journal | Il Tolomeo
Journal issue | 20 | 2018

20 | 2018

open access | peer reviewed
Abstract

Keywords Diaspora • Music and semiotics • Fantastic • Elgar • Francophone literature • Science of Rhythm • Stylistics • Identity • Figure of the prostitute • Haïtianité • Styleme • Imperialism • Subversion • Historical-real • Caribbean songs • Intertextuality • Venice Architecture • Aesthetic-real • Kannjawou • Power and subjectivity • Said • Joyce • Hamilton • Art • Linguistic musicality • Masque • Patrick McCabe • Caribbean music • Interculturalism • Depestre • Translation as negotiation • Embodied reading • Lyonel Trouillot • Marasa and zombie • Stanley Péan • Linguistic characterisation • Haitian literature • Algeria • Rhetoric figure • Carnival • Bakhtin • Music • Biennale 2018 • Caribbean literature • Trace • Style • Ethnography • Caribbean • Poetry • Translation as hermeneutic process • Mixed languages • History

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Published Dec. 21, 2018 | Language fr, it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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