Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

20 | 2018

open access | peer reviewed
Abstract

Keywords Elgar • Music and semiotics • Stanley Péan • Caribbean literature • Caribbean • Figure of the prostitute • Styleme • Marasa and zombie • Art • History • Hamilton • Caribbean music • Interculturalism • Haïtianité • Linguistic characterisation • Algeria • Ethnography • Stylistics • Embodied reading • Power and subjectivity • Imperialism • Translation as negotiation • Fantastic • Caribbean songs • Masque • Diaspora • Poetry • Rhetoric figure • Francophone literature • Patrick McCabe • Depestre • Aesthetic-real • Identity • Mixed languages • Kannjawou • Bakhtin • Haitian literature • Science of Rhythm • Lyonel Trouillot • Venice Architecture • Said • Subversion • Intertextuality • Linguistic musicality • Music • Style • Biennale 2018 • Joyce • Trace • Translation as hermeneutic process • Historical-real • Carnival

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Published Dec. 21, 2018 | Language it, en, fr

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