Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

20 | 2018

open access | peer reviewed
Abstract

Keywords Music • Mixed languages • Power and subjectivity • Depestre • Marasa and zombie • Hamilton • Translation as negotiation • Caribbean songs • Patrick McCabe • Science of Rhythm • Lyonel Trouillot • Elgar • Stylistics • Kannjawou • Francophone literature • Linguistic characterisation • Said • Music and semiotics • Style • Styleme • Historical-real • Stanley Péan • Fantastic • Interculturalism • Identity • Joyce • Trace • Art • Embodied reading • Rhetoric figure • Linguistic musicality • Masque • Haitian literature • Caribbean music • Figure of the prostitute • Translation as hermeneutic process • Aesthetic-real • Carnival • Subversion • Ethnography • Caribbean • History • Poetry • Imperialism • Bakhtin • Venice Architecture • Biennale 2018 • Caribbean literature • Algeria • Diaspora • Intertextuality • Haïtianité

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Published Dec. 21, 2018 | Language en, it, fr

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