Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

20 | 2018

open access | peer reviewed
Abstract

Keywords History • Music and semiotics • Trace • Haitian literature • Kannjawou • Subversion • Poetry • Carnival • Identity • Power and subjectivity • Bakhtin • Francophone literature • Biennale 2018 • Depestre • Lyonel Trouillot • Figure of the prostitute • Caribbean music • Said • Caribbean literature • Venice Architecture • Rhetoric figure • Ethnography • Styleme • Stylistics • Haïtianité • Linguistic musicality • Masque • Marasa and zombie • Translation as hermeneutic process • Patrick McCabe • Aesthetic-real • Joyce • Elgar • Embodied reading • Linguistic characterisation • Caribbean • Stanley Péan • Algeria • Style • Mixed languages • Science of Rhythm • Diaspora • Hamilton • Caribbean songs • Historical-real • Fantastic • Art • Intertextuality • Imperialism • Interculturalism • Music • Translation as negotiation

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Published Dec. 21, 2018 | Language it, fr, en

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