Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

20 | 2018

open access | peer reviewed
Abstract

Keywords Fantastic • Elgar • Hamilton • Caribbean music • Linguistic musicality • Music and semiotics • Linguistic characterisation • Style • Styleme • Translation as negotiation • Depestre • Figure of the prostitute • Aesthetic-real • Kannjawou • Biennale 2018 • Ethnography • Translation as hermeneutic process • Power and subjectivity • Haitian literature • Stanley Péan • Subversion • Carnival • Joyce • Embodied reading • Caribbean • Bakhtin • Haïtianité • Said • Mixed languages • History • Masque • Rhetoric figure • Art • Music • Historical-real • Caribbean literature • Diaspora • Identity • Imperialism • Lyonel Trouillot • Marasa and zombie • Patrick McCabe • Caribbean songs • Stylistics • Interculturalism • Intertextuality • Trace • Francophone literature • Venice Architecture • Science of Rhythm • Algeria • Poetry

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Published Dec. 21, 2018 | Language it, en, fr

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