Caribbean Contemporary Poets and Graphic Artists Moored at the Venice

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Il Tolomeo
20 | 2018

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Literature

Language
en

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http://doi.org/10.30687/Tol/2499-5975/2018/20/016

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ISSN
1594-1930

e-ISSN
2499-5975

Online issue
Vol. 1 | Num. 20 | Dicembre 2018

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Il Tolomeo | 20 | 2018

Caribbean Contemporary Poets and Graphic Artists Moored at the Venice Biennale of Architecture 2018

Margaret Spencer Matz
New York Institute of Technology and the Pratt Institute Schools of Architecture
matzmargaret@gmail.com

DOI 10.30687/Tol/2499-5975/2018/20/016

Submitted 23 Aug 2018
Accepted 03 Oct 2018

Abstract

The Teatrino del Mondo of Aldo Rossi, a performance space set on a barge that could be reached by boat (1979-80), became an iconic metaphor for the first Venetian Biennale of Architecture. At the Venetian Biennale of Architecture 2018, this metaphorical representation was engaged by Caribbean contemporary poets Lasana M. Sekou and Charles Matz II and visual artists Cozbi Sanchez Cabrera and Jean-Ulrick Désert. In exploring ties that link the vessels of Caribbean contemporary literature and art to Venice, witness is the audacity of their opera, created while confronting intensifying natural disasters such as earthquakes and hurricanes, and recalling horrifying unnatural conditions of Slavery and war. The artists participated in collateral events in which poetry or visual art intersected marvellously with Venetian idioms.

Keywords
Caribbean. Venice Architecture. Poetry. Art. Biennale 2018.

This work is licensed under a Creative Commons Attribution 4.0 International License

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Campo DC	Valore
dc.contributor.author	Matz Margaret Spencer
dc.title	Caribbean Contemporary Poets and Graphic Artists Moored at the Venice Biennale of Architecture 2018
dc.type	Journal Article
dc.language.iso	en
dc.identifier.uri	http://doi.org/10.14277/Tol/2499-5975/2018/20/016
dc.description.abstract	The Teatrino del Mondo of Aldo Rossi, a performance space set on a barge that could be reached by boat (1979-80), became an iconic metaphor for the first Venetian Biennale of Architecture. At the Venetian Biennale of Architecture 2018, this metaphorical representation was engaged by Caribbean contemporary poets Lasana M. Sekou and Charles Matz II and visual artists Cozbi Sanchez Cabrera and Jean-Ulrick Désert. In exploring ties that link the vessels of Caribbean contemporary literature and art to Venice, witness is the audacity of their opera, created while confronting intensifying natural disasters such as earthquakes and hurricanes, and recalling horrifying unnatural conditions of Slavery and war. The artists participated in collateral events in which poetry or visual art intersected marvellously with Venetian idioms.
dc.relation.ispartof	Il Tolomeo
dc.relation.ispartof	Vol. 1 \| Num. 20 \| Dicembre 2018
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.date.issued	2018-12-21
dc.dateAccepted	2018-08-23
dc.dateSubmitted	2018-10-03
dc.identifier.issn	1594-1930
dc.identifier.eissn	2499-5975
dc.rights	Creative Commons 4.0 Attribution alone
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.subject	Caribbean
dc.subject	Venice Architecture
dc.subject	Poetry
dc.subject	Art
dc.subject	Biennale 2018
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20 | 2018

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Jacqueline Bishop, Federica Messulam
The Julie Mango Tree
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Michela Calderaro
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Decency and Splendour of Prostitution in Aimé Césaire and Zadi Zaourou
Houessou Dorgelès
From Dispossession to the Experience of Possession in Kamel Daoud’s Meursault, contre-enquête
Maha Badr
The Party and the Carnival Shows in René Depestre’s Le Mât de cocagne (1979) et Hadriana dans tous mes rêves (1988)
Irene Alvarez Domenech
« Un pays occupé est une terre sans vie »
Federica Cozzio
Stanley Péan and Interculturalism in Diaspora
Fabiana Fianco
Edward Elgar’s Masque The Crown of India
Edvige Pucciarelli
James Joyce’s ‘Linguistic Musicality’
Arianna Autieri
Thou Shalt not Kill! Or Notes on Caribbean Music as Literary Text on Being Human
Francio Guadeloupe, Ivette Romero
Caribbean Contemporary Poets and Artists Moored at the Venice Biennale
Margaret Spencer Matz
The Sieve of Translation
Silvia Boraso
Interviste | Interviews | Interviews
“I Could Have Been Susanna From Thistlewood’s Plantation Diary”
Loretta Collins Klobah
Doe Songs: Letting the Landscape Speak Through the Truest Language, Poetry
Ann-Margaret Lim
Ngũgĩ wa Thiong’o: an Interview
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Alessia Vignoli
Marty, Anne (2017). La littérature haïtienne dans la modernité. Paris : Éditions Kathala, 273 pp.
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Martelly, Stéphane (2016). Les jeux du dissemblable : folie, marge et féminin en littérature haïtienne contemporaine. Montmagny : Éditions Nota bene, 379 pp.
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Sara Del Rossi
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Anna Michieletto
Bernovsky, Victor (2017). « Francité, américanité et indianité dans le roman québécois contemporain ». Interculturel Francophonies, 32, novembre-décembre, 326 pp.
Veronica Brunetto
Biondi, Carminella (éd.) (2016). 1789: les colonies ont la parole. Anthologie, tt. 1-2. Paris : L’Harmattan, 498 pp. Autrement mêmes
Elena Fermi
Modenesi, Marco (éd.) (2017). « Jouer avec les mots ». Ponts, Langues littératures civilisations des Pays francophones, 17, 245 pp.
Veronica Brunetto
Organisation internationale de la Francophonie [2006] (2013). Le Mouvement panafricaniste au vingtième siècle. Paris, 640 pp.
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Chambers, Iain; Curti, Lidia; Quadraro, Michaela (a cura di) (2014). Ritorni critici. La sfida degli studi culturali e postcoloniali. Milano: Meltemi, 245 pp.
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Necrologi | Obituaries | Nécrologies
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Alessandro Costantini
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Shaul Bassi
Bio-bibliographies
Bio-bibliographies

Il Tolomeo 20 | 2018

Il Tolomeo 20 | 2018

Caribbean Contemporary Poets and Graphic Artists Moored at the Venice Biennale of Architecture 2018

20 | 2018

Table of contents

Il Tolomeo
20 | 2018

Il Tolomeo
20 | 2018