Studi e ricerche

The Merchant in Venice: Shakespeare in the Ghetto

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Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords GhettoLancelot GobboMercyOtto TaubmannTranslationJosef BAdapting ShakespeareActors on ShakespeareAntisemitismMurray AbrahamLighting designDesigning ShakespeareAntonioChromaticismJewsChildren’s literatureShakespeare’s trial scenesKarin CoonrodDirecting ShakespeareAestheticismMock Appeal: Shylock vFictionJessicaBassanioFRehearsalMusicSite-specific ShakespeareLewis CarrollThe Merchant of VeniceVeniceAldo FinziHeritageHolocaustLorenzoAdrian BeechamMemoryLaurence OlivierHistorySite-specific performanceThe quality of mercyGeorge Braque and ShakespeareFoersterGratianoReynaldo HahnMario Castelnuovo-TedescoShylockThe Merchant in the GhettoChildren reading ShakespeareCompagnia de’ ColombariHumanitiesOperaCiro PinsutiMock Trial: Shylock vPortiaRuth Bader GinsburgTheatre designCharles and Mary LambNarrativizationCostume designMusic designPerforming ShakespeareShakespeare’s comedies of loveSite specific performanceThe Merchant of Venice in the GhettoSite-specific designAdaptation

Thema codes DSGATD5PX-GB-S1DST-IT-NVE

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Number of pages 238 | Dimensions 16x23cm | Published June 10, 2021 | Language en