Metamorfosi
open access | peer reviewedKeywords Pakistani Art • Rooster • Tombs • Guggenheim Museum • Biomorphic Abstraction • Snake • Jacopo Foscarini • Animality • Videoart • Facial Mutilations • Basilisk • Neoacademism • Viani • War • Made in Italy • Zadar • Global Art • Humanist imagery • Venetian self-representation • Body • Parody • Modernism • Germano Celant • Forties • Waterplays • Saint marina • Masson • Sacred space • Olga Tobreluts • Arch • Postwar Print Art • Remediation • Transnational Art • Trauma • Fountains • South Asian Art • Digital Collage • Picasso • Claudio Tolomei • Ornament • Arte povera • Medieval oriental cults • Contemporary Art • Metamorphosis • Renaissance hydraulic engineering • Annibal Caro • Zoomorphism • Battle of Lepanto • Romanitas • Grotesque • New Renaissance • Birolli • Monster • Arp • Armour • Ecfrasis • Medieval churches • The Italian Metamorphosis 1943-1968 • Liturgical furnishings • Venice
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Pubblicato 20 Dicembre 2023 | Lingua en, EN, it
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