Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo | 30 | 2021

Originale/Copia

open access | peer reviewed

Keywords Art copies • Collecting • Portraits • Paintings collecting • Italian art literature • ‘Second original’ • Diana and Callisto • Collective work • Copy • Farsetti Collection • Visual semiotics • Originality • Medici’s dynasty • Seriality • Alexander Dorner • Ovid’s Metamorphoses • Gradenigo, Pietro • Filippo Baldinucci • Copy/original • Aura • Multiples • Museum Studies • Fake • Muletti, Sebastiano • Weimar Art Theory • Farsetti, Daniele • Hamburger Faksimile-Streit • Contemporary dance • Painting • Dance • Titian • Eighteenth century • Theory • Copyright law • Ephemerality • Rubens • Score • Original • History of collecting • Copying • Postmodern dance • Programmed art • Re-enactment • Theory of art • Guardi, Antonio • Details • Photography • Letters • Race • Ottoman Sultans • Open work • Paolo Giovio • Contemporary art • Geometric dance • Daniel Arasse • Originals/Copies • Punctum/studium • Venice • Performance • Museum • Reconstruction

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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