Edizioni Ca' Foscari

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Lingua: it, en

Pubblicato: 21 Dicembre 2021

Keywords

Seriality • Alexander Dorner • History of collecting • Venice • Dance • Performance • Visual semiotics • Ovid’s Metamorphoses • Punctum/studium • Gradenigo, Pietro • Copy/original • Diana and Callisto • Ottoman Sultans • Aura • Race • Collecting • Farsetti Collection • Geometric dance • Guardi, Antonio • Theory • Paintings collecting • Reconstruction • Ephemerality • Paolo Giovio • Rubens • Medici’s dynasty • Museum • Daniel Arasse • Re-enactment • Contemporary art • Museum Studies • Originals/Copies • Titian • Italian art literature • Score • Fake • Copy • Copyright law • Contemporary dance • Letters • Originality • Weimar Art Theory • Details • Painting • Portraits • Farsetti, Daniele • Photography • Theory of art • ‘Second original’ • Eighteenth century • Copying • Filippo Baldinucci • Postmodern dance • Muletti, Sebastiano • Hamburger Faksimile-Streit • Collective work • Open work • Multiples • Programmed art • Art copies • Original

permalink http://doi.org/10.30687/VA/2385-2720/2021/07

Copyright: © 2021 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.