Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo | 30 | 2021

Originale/Copia

open access | peer reviewed

Keywords Contemporary dance • Hamburger Faksimile-Streit • Fake • Diana and Callisto • Multiples • Copying • Reconstruction • Eighteenth century • Score • Titian • Venice • Farsetti Collection • Museum Studies • Re-enactment • Contemporary art • Portraits • Theory • Rubens • Visual semiotics • Daniel Arasse • Ephemerality • Muletti, Sebastiano • Originality • Letters • Collecting • Museum • Ottoman Sultans • Performance • Italian art literature • Details • Farsetti, Daniele • Paolo Giovio • ‘Second original’ • Weimar Art Theory • Punctum/studium • Seriality • Postmodern dance • Art copies • Collective work • Copy • Race • Open work • Gradenigo, Pietro • Photography • Guardi, Antonio • Theory of art • Copyright law • Alexander Dorner • Copy/original • Filippo Baldinucci • Programmed art • Original • Geometric dance • Dance • Originals/Copies • Ovid’s Metamorphoses • History of collecting • Painting • Aura • Medici’s dynasty • Paintings collecting

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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