Rivista |
Venezia Arti
Fascicolo | 30 | 2021
Keywords Hamburger Faksimile-Streit • Theory • Fake • Ephemerality • Letters • Gradenigo, Pietro • Theory of art • Originality • Reconstruction • Aura • Score • Copy/original • Paintings collecting • Geometric dance • Art copies • Contemporary dance • Photography • Dance • Ovid’s Metamorphoses • Details • Museum • Eighteenth century • Paolo Giovio • Original • Painting • Muletti, Sebastiano • Portraits • Titian • Italian art literature • Alexander Dorner • Programmed art • Open work • Visual semiotics • Copying • Copyright law • Multiples • Originals/Copies • Performance • Seriality • Filippo Baldinucci • Rubens • Race • Contemporary art • Museum Studies • Postmodern dance • Venice • Punctum/studium • History of collecting • Guardi, Antonio • Collective work • Daniel Arasse • Copy • Re-enactment • ‘Second original’ • Farsetti Collection • Farsetti, Daniele • Ottoman Sultans • Diana and Callisto • Collecting • Medici’s dynasty • Weimar Art Theory
Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua en, it
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Medioevo e età moderna
Contemporaneo
Alia itinera