Home > Catalogo > Venezia Arti > 29 | 2020 > Cornelis De Bie, il Gulden Cabinet e la pittura di natura morta e di genere in Italia

Venezia Arti | Vol. 29 | Dicembre 2020

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Cornelis De Bie, il Gulden Cabinet e la pittura di natura morta e di genere in Italia

I casi di Francesco Noletti detto il Maltese, Mario dei Fiori, Grechetto, Michelangelo Cerquozzi e una riflessione su Pieter Boel e David De Coninck

Luca Fiorentino    Istituto Olandese di Storia dell’Arte, Firenze, Italia    

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abstract

This article spotlights the lives of Italian still life painters in one of the most important seventeenth-century Flemish source texts: Het Gulden Cabinet van de edel vry schilder-const by Cornelius De Bie (1662). This essay offers the first Italian translations of texts dedicated to these painters and examines the intrinsic motivations that led De Bie to choose them as the subject of his panegyrics. The writing underscores the connections De Bie must have had with information brought home by his father (who lived in Rome for years), with Gaspar Roomer and his collections, and with Italian art literature, to which he owed a debt as for information obtained and source documents. In addition, the article discusses the life of Pieter Boel, who spent many years in Italy, and of one of his best pupils, David De Coninck.

Pubblicato
11 Dicembre 2020
Accettato
07 Ottobre 2020
Presentato
03 Settembre 2020
Lingua
IT

Keywords: Grechetto • Francesco Noletti • Italian Art Literature • Michelangelo Cerquozzi • Het Gulden Cabinet • Flemish Sources • Science Treatises • Cornelis De Bie • David De Coninck • Neapolitan Collections • Paintings • Still Life in Italy • Biographical Cameos • Pieter Boel • Mario dei Fiori

permalink http://doi.org/10.30687/VA/2385-2720/2020/06/004

Copyright: © 2020 Luca Fiorentino. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.