The Role of Performance in Environmental Humanities: The Case of…

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Campo DC	Valore
dc.identifier	ECF_article_6651
dc.title	The Role of Performance in Environmental Humanities: The Case of Joan Jonas’s Moving Off the Land II
dc.contributor.author	Giannachi Gabriella
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	en
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/the-venice-journal-of-environmental-humanities/2021/1/the-role-of-performance-in-environmental-humanitie/
dc.description.abstract	This article explores the role of performance in Environmental Humanities by discussing Joan Jonas’s staging of Moving Off The Land II at Ocean Space in Venice as a case study. More specifically, the article shows that Moving Off The Land II and Ocean Space have created a space in which to practice environmental art illustrating how co-habiting ecosystems that we regularly fail to acknowledge should form part of how we construct our own presence.
dc.relation.ispartof	Lagoonscapes
dc.relation.ispartof	Vol. 1 \| Num. 1 \| Giugno 2021
dc.issued	2021-12-20
dc.dateAccepted	2021-10-27
dc.dateSubmitted	2021-09-07
dc.identifier.issn
dc.identifier.eissn	2785-2709
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/LGSP//2021/01/009
dc.peer-review	yes
dc.subject	Ecology
dc.subject	Ecology
dc.subject	Environment
dc.subject	Environment
dc.subject	Joan Jonas
dc.subject	Joan Jonas
dc.subject	Nature
dc.subject	Nature
dc.subject	Ocean Space
dc.subject	Ocean Space
dc.subject	Performance
dc.subject	Performance
dc.subject	Presence
dc.subject	Presence
dc.subject	Venice
dc.subject	Venice

Articolo
open access peer reviewed

The Role of Performance in Environmental Humanities: The Case of Joan Jonas’s Moving Off the Land II

Gabriella Giannachi University of Exeter, UK

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abstract

This article explores the role of performance in Environmental Humanities by discussing Joan Jonas’s staging of Moving Off The Land II at Ocean Space in Venice as a case study. More specifically, the article shows that Moving Off The Land II and Ocean Space have created a space in which to practice environmental art illustrating how co-habiting ecosystems that we regularly fail to acknowledge should form part of how we construct our own presence.

Pubblicato

20 Dicembre 2021

Accettato

27 Ottobre 2021

Presentato

07 Settembre 2021

Lingua

Keywords: Ocean Space • Venice • Environment • Joan Jonas • Ecology • Performance • Presence • Nature

permalink http://doi.org/10.30687/LGSP//2021/01/009

Copyright: © 2021 Gabriella Giannachi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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