Lagoonscapes

The Venice Journal of Environmental Humanities

Thinking the Planet with Venice

open access | peer reviewed
Abstract

The first Italian journal expressly dedicated to the Environmental Humanities, Lagoonscapes, is animated by a ‘local’ awareness and a ‘planetary’ vision. Its title mirrors this spirit and the inescapable need to strengthen the junction between cultural perspectives and ecological complexity. Lagoonscapes is a sort of prism through which multiple perspectives converge, turning the Venetian lagoon into a symbolic laboratory, an observatory, a forge of ideas about the global panorama of the Environmental Humanities. Art, meteorology, climatic imagination, bodily immersions in the ecology of places, food, eco-ethnography, multimedia performance, extractive tourism, debunked clichés, and quagmires: this first issue is a sample of what we envision to be our mission, namely, to create bridges of elements, voices, and visions, facilitating encounters of theories and individual matters, and stimulating ‘trans-local’ negotiations along with planetary awareness.

Keywords Eleonora Sovrani • Contemporary art • Weather • Gli Impresari • Body politic • Joan Jonas • Art • Art-activism • Foodways • The senses • Walking • Ocean Space • Environmental Humanities • Environmental sensing • Performance • Material ecocriticism • Ecology • Blue humanities • Seafood • Environment • Cruise ships • Death in Venice • Presence • Submergence • Johann Wolfgang Goethe • Markets • Extractive tourism • Embodiment • Capitalocene • Environmental justice • Multispecies • New Humanities • Thomas Mann • Venice • Meteorology • UNESCO • Nineteenth century • Nature • Culinary knowledge • Environmental media • Banksy • Elena Mazzi

Permalink http://doi.org/10.30687/LGSP/2785-2709/2021/01 | Pubblicato 20 Dicembre 2021 | Lingua en

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