Lagoonscapes

The Venice Journal of Environmental Humanities

Thinking the Planet with Venice

open access | peer reviewed
Abstract

The first Italian journal expressly dedicated to the Environmental Humanities, Lagoonscapes, is animated by a ‘local’ awareness and a ‘planetary’ vision. Its title mirrors this spirit and the inescapable need to strengthen the junction between cultural perspectives and ecological complexity. Lagoonscapes is a sort of prism through which multiple perspectives converge, turning the Venetian lagoon into a symbolic laboratory, an observatory, a forge of ideas about the global panorama of the Environmental Humanities. Art, meteorology, climatic imagination, bodily immersions in the ecology of places, food, eco-ethnography, multimedia performance, extractive tourism, debunked clichés, and quagmires: this first issue is a sample of what we envision to be our mission, namely, to create bridges of elements, voices, and visions, facilitating encounters of theories and individual matters, and stimulating ‘trans-local’ negotiations along with planetary awareness.

Keywords Eleonora Sovrani • Markets • Weather • UNESCO • Death in Venice • The senses • Performance • Art • Environmental media • Johann Wolfgang Goethe • Cruise ships • Culinary knowledge • Submergence • Multispecies • Embodiment • Nineteenth century • Art-activism • Meteorology • Ocean Space • Environment • Ecology • Environmental justice • Venice • Walking • Gli Impresari • Material ecocriticism • Blue humanities • Banksy • Foodways • Body politic • Environmental sensing • Presence • Contemporary art • New Humanities • Seafood • Capitalocene • Elena Mazzi • Nature • Environmental Humanities • Thomas Mann • Extractive tourism • Joan Jonas

Permalink http://doi.org/10.30687/LGSP/2785-2709/2021/01 | Pubblicato 20 Dicembre 2021 | Lingua en