Rivista | Rassegna iberistica
Fascicolo | 40 | 107 | 2017
Articolo | Don Perlimplín en Venecia: Nono y Maderna
Don Perlimplín en Venecia: Nono y Maderna
- Andrés Soria Olmedo - Universidad de Granada, España - email
The present paper is a study of two musical adaptations of Federico García Lorca’s play Amor de don Perlimplín con Belisa en su jardín by two venetian composers linked to the Darmstadt School, Luigi Nono and Bruno Maderna, respectively a ballet entitled Der rote Mantel, which uses the German translation by Enrique Beck, and a radiophonic opera based on the Italian translation by Vittorio Bodini, Don Perlimplín ovvero il trionfo dell’amore e dell’immaginazione.
Presentato: 07 Aprile 2016 | Accettato: 22 Luglio 2016 | Pubblicato: 29 Giugno 2017 | Lingua: es
Keywords Translation Theater Transmediality Music Avant-garde
Copyright © 2017 Andrés Soria Olmedo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2037-6588/Ri-40-107-17-2
Articoli
- «Había de ver nacer mandrágoras en los locutorios»: una nota al Buscón, III, 9
- Gáldrick de la Torre
- 2017-06-29
- Don Perlimplín en Venecia: Nono y Maderna
- Andrés Soria Olmedo
- 2017-06-29
- La ritualización del tiempo en La Morte Rouge
- Iacopo Russo
- 2017-06-29
- Antecedentes literarios en la ‘niña mala’ de Mario Vargas Llosa
- Martin Eduardo García Calle
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Eternal Curse on the Reader of These Pages / Maldición eterna a quien lea estas páginas
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Álvaro Feijó, Sidónio Muralha e Políbio Gomes dos Santos
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Note
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Recensioni
- Prestigiacomo, Carla (a cura di) (2017). Identità, totalitarismi e stampa. Ricodifica linguistica-culturale dei media di regime. Palermo: Palermo University Press, pp. 388
- María Soledad Padilla
- 2017-06-29
- Ruffinatto, Aldo (2015). Dedicato a Cervantes. Madrid: SIAL Ediciones, pp. 261. Prosa Barroca
- Veronica Orazi
- 2017-06-29
- Candeloro, Antonio (2016). Javier Marías y el enigma del tiempo. Murcia: EDITUM, pp. 390
- Valeria Cavazzino
- 2017-06-29
- Carnero, Guillermo (2017). Regiones devastadas. Sevilla: Fundación José Manuel Lara, pp. 88
- Alessandro Mistrorigo
- 2017-06-29
- Bellini, Giuseppe (2016). Gli effimeri regni di questo mondo. La narrativa di Alejo Carpentier. Roma: Bulzoni, pp. 120
- Susanna Regazzoni
- 2017-06-29
- Bartra, Roger (2015). I territori del terrore e dell’alterità. Trad. di Maria Cristina Secci. Milano: Mimesis, pp. 139
- Alice Favaro
- 2017-06-29
- Alfonso, Vitalina (2015). Un país para narrar. La Habana: Letras Cubanas, pp. 108
- Susanna Regazzoni
- 2017-06-29
- de Diego, Josefina (2016). El reino del abuelo. Presentación de Eliseo Alberto. La Habana: colección Sur Editores, pp. 76
- Fabiola Cecere
- 2017-06-29
- Venturini, Santiago (2016). En la colonia agrícola. Rosario: Iván Rosado Ediciones, pp. 63
- René Julio Lenarduzzi
- 2017-06-29
- Silva Carvalho, Armando (2015). A Sombra do Mar. Lisboa: Assírio & Alvim, pp. 99
- Manuel G. Simões
- 2017-06-29
- Grassi, Silvia (2016). Gender and Sexual Dissidence on Catalan and Spanish Television Series. An Intercultural Analysis. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 284
- Enric Bou
- 2017-06-29
- Roig, Silvia (2016). Aurora Bertrana. Innovación literaria y subversión de género. Woodbridge: Tamesis, pp. 357
- Enric Bou
- 2017-06-29
- Stegmann, Tilbert Dídac (2016). El plaer de llegir literatura catalana. Lleida: Pagès Editors, pp. 287
- Lidia Carol Geronès
- 2017-06-29
- Fernàndez, Josep-Anton; Subirana, Jaume (eds.) (2015). Funcions del passat en la cultura catalana contemporània: Institucionalització, representació i identitat. Lleida: Punctum, pp. 310
- Silvia Grassi
- 2017-06-29
Pubblicazioni ricevute
- Pubblicazioni ricevute
- 2017-06-29
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_682 |
|
dc.title |
Don Perlimplín en Venecia: Nono y Maderna |
|
dc.contributor.author |
Soria Olmedo Andrés |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Articolo |
|
dc.language.iso |
es |
|
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/rassegna-iberistica/2017/107/don-perlimplin-en-venecia-nono-y-maderna/ |
|
dc.description.abstract |
The present paper is a study of two musical adaptations of Federico García Lorca’s play Amor de don Perlimplín con Belisa en su jardín by two venetian composers linked to the Darmstadt School, Luigi Nono and Bruno Maderna, respectively a ballet entitled Der rote Mantel, which uses the German translation by Enrique Beck, and a radiophonic opera based on the Italian translation by Vittorio Bodini, Don Perlimplín ovvero il trionfo dell’amore e dell’immaginazione. |
|
dc.relation.ispartof |
Rassegna iberistica |
|
dc.relation.ispartof |
Vol. 40 | Num. 107 | Giugno 2017 |
|
dc.issued |
2017-06-29 |
|
dc.dateAccepted |
2016-07-22 |
|
dc.dateSubmitted |
2016-04-07 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2037-6588 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.14277/2037-6588/Ri-40-107-17-2 |
|
dc.peer-review |
yes |
|
dc.subject |
Avant-garde |
|
dc.subject |
Avant-garde |
|
dc.subject |
Music |
|
dc.subject |
Music |
|
dc.subject |
Theater |
|
dc.subject |
Theater |
|
dc.subject |
Translation |
|
dc.subject |
Translation |
|
dc.subject |
Transmediality |
|
dc.subject |
Transmediality |
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