26 | 2024
open access | peer reviewedKeywords Habel • New Zealand • Subverting of the imaginary • Heterotopy • Mabanckou • Subaltern studies • Mbougar Sarr • Refugee • Walcott • Supernatural • Postmigration • Transnationalism • Migrant literature • Negative solidarity • Decolonial • David Fennario • Poetics of space • Failure • Négritude • Tim Jones • Cultural heritage • Césaire • Dreaming • Decoloniality • Mumbai migrants • Pluralism • Caribbean • Mohammed Dib • Visibility • Exit West • Painting • Language • Social criticism • Damas • Cotton mill workers • Migration • Whichcraft • Narayan Surve • Climate refugees • Intermediality • Mohsin Hamid • Neoliberalism • Canadian Theatre • Indigenous pandemic fiction • Autobiography • Narratives • Chaos-world • Ekphrasis • Cherie Dimaline • Urban identity • Storytelling • Multiplicity • Refugee novel
Permalink http://doi.org/10.30687/Tol/2499-5975/2024/01 | Pubblicato 09 Dicembre 2024 | Lingua fr, en, it
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