26 | 2024
open access | peer reviewedKeywords Migration • Painting • Heterotopy • Decoloniality • Mbougar Sarr • David Fennario • Autobiography • Dreaming • Habel • Négritude • Climate refugees • Caribbean • Subverting of the imaginary • Tim Jones • Cotton mill workers • Supernatural • Social criticism • Césaire • Migrant literature • Canadian Theatre • Multiplicity • Refugee • Damas • Cherie Dimaline • Urban identity • Mumbai migrants • Decolonial • Visibility • Mohammed Dib • Poetics of space • Postmigration • Exit West • Intermediality • Pluralism • Chaos-world • Negative solidarity • Storytelling • Ekphrasis • Narayan Surve • Walcott • Refugee novel • Whichcraft • Language • Neoliberalism • Transnationalism • Mohsin Hamid • Cultural heritage • New Zealand • Indigenous pandemic fiction • Failure • Mabanckou • Narratives • Subaltern studies
Permalink http://doi.org/10.30687/Tol/2499-5975/2024/01 | Published Dec. 9, 2024 | Language it, fr, en
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