26 | 2024
open access | peer reviewedKeywords Mbougar Sarr • Habel • Cotton mill workers • David Fennario • Intermediality • Transnationalism • Refugee novel • Failure • Negative solidarity • Refugee • Migrant literature • Chaos-world • Damas • Whichcraft • Poetics of space • Supernatural • Decoloniality • Neoliberalism • Dreaming • Subverting of the imaginary • Climate refugees • Migration • Césaire • Language • Postmigration • Urban identity • Multiplicity • Mabanckou • New Zealand • Cherie Dimaline • Decolonial • Narratives • Storytelling • Narayan Surve • Tim Jones • Mohammed Dib • Painting • Cultural heritage • Subaltern studies • Social criticism • Heterotopy • Caribbean • Indigenous pandemic fiction • Mohsin Hamid • Canadian Theatre • Ekphrasis • Mumbai migrants • Visibility • Walcott • Exit West • Négritude • Autobiography • Pluralism
Permalink http://doi.org/10.30687/Tol/2499-5975/2024/01 | Published Dec. 9, 2024 | Language en, it, fr
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