26 | 2024
open access | peer reviewedKeywords Decolonial • Refugee novel • Cherie Dimaline • Autobiography • Canadian Theatre • Narratives • Intermediality • Failure • Poetics of space • Dreaming • Césaire • Subverting of the imaginary • Postmigration • Painting • Storytelling • Language • Urban identity • Ekphrasis • Cotton mill workers • Indigenous pandemic fiction • Transnationalism • Mohsin Hamid • Pluralism • Mabanckou • Subaltern studies • Multiplicity • Tim Jones • David Fennario • Migration • Cultural heritage • Mohammed Dib • Exit West • Heterotopy • Mbougar Sarr • Chaos-world • Negative solidarity • Habel • Damas • Négritude • Mumbai migrants • Decoloniality • Migrant literature • Social criticism • Caribbean • Walcott • Supernatural • Narayan Surve • Refugee • Visibility • Climate refugees • Whichcraft • New Zealand • Neoliberalism
Permalink http://doi.org/10.30687/Tol/2499-5975/2024/01 | Pubblicato 09 Dicembre 2024 | Lingua fr, it, en
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