Rivista | Annali di Ca’ Foscari. Serie orientale
Fascicolo | 55 | 2019
Articolo | Pratiche di sottotitolazione non professionale in Cina
Pratiche di sottotitolazione non professionale in Cina
Il gruppo Shenying e la traduzione del turpiloquio nella prima stagione di Gomorra-La serie
- Serena Zuccheri - Alma Mater Studiorum Università di Bologna, Italia - email
Abstract
The online growth of non-professional subtitling, a phenomenon today internationally known as fansubbing, has allowed Chinese audience to watch Gomorra-La serie. This Italian TV series is linguistically characterised by a great use of jargon, coarseness and swearing that Chinese fansubbers have tried to accurately reproduce using equivalents in their mother tongue, or tabooing them by subjecting some of the most vulgar and irreverent expressions to linguistic interdiction. After a detailed presentation of major translation strategies used by Chinese fansubbers, this works aims to present a preliminary linguistic analysis of the Chinese subtitles of the first season of Gomorra-La Serie.
Presentato: 04 Febbraio 2019 | Accettato: 29 Aprile 2019 | Pubblicato 27 Giugno 2019 | Lingua: it
Keywords Chinese fansubbing • Non-professional translation • Gomorra-La serie • Euphemism • Linguistic taboo
Copyright © 2019 Serena Zuccheri. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01/015
Articoli
-
Le savant et son époque à travers sa correspondance
Seeger A. Bonebakker (1923-2005) et quelques notes sur Ḫalīl b. Aybak al-Ṣafadī (696-764/1297-1363) - Élise Franssen
- 27 Giugno 2019
-
Il terzo stadio dell’imparare
Piacere e bellezza del testo ti Tammān Ḥassān - Andrea Facchin
- 27 Giugno 2019
- The Peregrinations of panjgāh
- Owen Wright
- 27 Giugno 2019
-
I ki hezar aferin bon nidge Sultan olur
Dervishes Ceremonies in Constantinople Described by Western Travellers and Painters between Sixteenth and Eighteenth Century - Giovanni De Zorzi
- 27 Giugno 2019
- Algeria and the Washington Consensus: Debtor-Creditor Relation Re-Examined
- Francesco Saverio Leopardi
- 28 Giugno 2019
-
“If Man Had Received Such a Nature…”
Textual Form, Transmission, and Interpretation of a Passage in Eznik’s Refutation of the Sects (Book I, 11 [§ 45]) - Paolo Lucca
- 27 Giugno 2019
- A Little-Known Dah-nāma: ʿAishī’s ʿIshrat-nāma
- Anna Livia Beelaert
- 27 Giugno 2019
-
The Vedic Background of the Buddhist Notions of Iddhi and Abhiññā
Three Case Studies with Particular Reference to the Pāli Literature - Bryan De Notariis
- 27 Giugno 2019
-
Between Mughal Art, Ethnography and Realism
On Nicolò Manucci’s Artistic Patronage in India (1680-1720) - Gianni Dubbini
- 27 Giugno 2019
-
Corpo e lamento funebre
Alcune riflessioni sulla traduzione dell’Agiavilāpa dell’indologo Giuseppe Turrini (1826-1899) - Alberico Crafa
- 27 Giugno 2019
- Le prime traduzioni latine del ‘Giusto mezzo’ (Zhongyong中庸)
- Michael Lackner
- 27 Giugno 2019
-
Breaking Up From What?
The Corporeal Politics of Values in the Duanlie yundong (Rupture Movement) - Melinda Pirazzoli
- 27 Giugno 2019
-
The Kwanyin Clan: Modern Literati Graffiti Writers
An Aesthetic and Text Analysis of their Main Artworks - Adriana Iezzi
- 27 Giugno 2019
-
A Journey into the City
Migrant Workers’ Relation with the Urban Space and Struggle for Existence in Xu Zechen’s Early jingpiao Fiction - Federico Picerni
- 27 Giugno 2019
-
Pratiche di sottotitolazione non professionale in Cina
Il gruppo Shenying e la traduzione del turpiloquio nella prima stagione di Gomorra-La serie - Serena Zuccheri
- 27 Giugno 2019
-
Made in Italy in Chinese Market
Emerging Issues for Italian Food - Antonio De Pin
- 27 Giugno 2019
- Vittorio Pica japoniste: critica militante e collezionismo fra letteratura e arte
- Davide Lacagnina
- 27 Giugno 2019
-
From Secluded Paradise to Hell on Earth
Hino Ashihei’s Imaginative Geography of Okinawa - Stefano Romagnoli
- 27 Giugno 2019
-
Beyond the Screen
Terayama. Spectatorship. Intermediality - Eugenio De Angelis
- 27 Giugno 2019
- Politics, Porn and Parody in Koi suru genpatsu (2011) by Takahashi Gen’ichirō
- Caterina Mazza
- 27 Giugno 2019
-
Rethinking the Concept of ‘Society’ in the Age of Globalisation
Society as a Whole, the Social, and Sociological Traditions - Hirofumi Utsumi
- 27 Giugno 2019
- Lost Dolls, Lost Souls in Elena Ferrante’s La figlia oscura
- Nilay Kaya
- 27 Giugno 2019
Recensioni
- Eros Baldissera. Arabo compatto
- Andrea Facchin
- 27 Giugno 2019
- Richard Gombrich. Buddishm and Pali
- Bryan De Notariis
- 27 Giugno 2019
- Yuming Li. Language Planning in China
- Ying Ding
- 27 Giugno 2019
- Jie Dong. The Socialinguistics of Voice in Globalising China
- Beatrice Gallelli
- 27 Giugno 2019
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_1673 |
|
dc.title |
Pratiche di sottotitolazione non professionale in Cina. Il gruppo Shenying e la traduzione del turpiloquio nella prima stagione di Gomorra-La serie |
|
dc.contributor.author |
Zuccheri Serena |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Articolo |
|
dc.language.iso |
it |
|
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/annali-di-ca-foscari-serie-orientale/2019/1/pratiche-di-sottotitolazione-non-professionale-in/ |
|
dc.description.abstract |
The online growth of non-professional subtitling, a phenomenon today internationally known as fansubbing, has allowed Chinese audience to watch Gomorra-La serie. This Italian TV series is linguistically characterised by a great use of jargon, coarseness and swearing that Chinese fansubbers have tried to accurately reproduce using equivalents in their mother tongue, or tabooing them by subjecting some of the most vulgar and irreverent expressions to linguistic interdiction. After a detailed presentation of major translation strategies used by Chinese fansubbers, this works aims to present a preliminary linguistic analysis of the Chinese subtitles of the first season of Gomorra-La Serie. |
|
dc.relation.ispartof |
Annali di Ca’ Foscari. Serie orientale |
|
dc.relation.ispartof |
Vol. 55 | Giugno 2019 |
|
dc.issued |
2019-06-27 |
|
dc.dateAccepted |
2019-04-29 |
|
dc.dateSubmitted |
2019-02-04 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2385-3042 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.30687/AnnOr/2385-3042/2019/01/015 |
|
dc.peer-review |
yes |
|
dc.subject |
Chinese fansubbing |
|
dc.subject |
Chinese fansubbing |
|
dc.subject |
Euphemism |
|
dc.subject |
Euphemism |
|
dc.subject |
Gomorra-La serie |
|
dc.subject |
Gomorra-La serie |
|
dc.subject |
Linguistic taboo |
|
dc.subject |
Linguistic taboo |
|
dc.subject |
Non-professional translation |
|
dc.subject |
Non-professional translation |
| Download data |
-
file_download 61
-
search 353
-
format_quote 0
