Das Künstliche dichten
Hybride Verfasserschaft in Max Benses Poetik der 1960er Jahre
Abstract
This article investigates the crucial role of Max Bense’s literary production within his philosophical system. Drawing on the concept of hybrid authorship, the contribution analyzes the compositional strategies of the collection Bestandteile des Vorüber (1961), which emerges as an unsystematic attempt to generate a form of poetry from logic through non-digital writing techniques. Building on this analysis, the paper examines the characteristics of the ‘Artificial’ in Bense’s poetics and the extent to which such a conception reshapes the configuration of authorial subjectivity.
Presentato: 27 Maggio 2025 | Accettato: 24 Giugno 2025 | Pubblicato 30 Settembre 2025 | Lingua: de
Keywords Cybernetics • Max Bense • Experimental poetry • Authorship • Stuttgarter Schule • Media archeology
Copyright © 2025 Rosa Coppola. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AnnOc/2499-1562/2025/14/011