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Francisco de Holanda: antigrafías, imágenes, verbos y arquitecturas dibujadas

José Joaquín Parra Bañón    Universidad de Sevilla, España    

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abstract

The Portuguese architect Francisco de Holanda drew and wrote with lines and letters his calligraphic books, more than half a dozen treatises and proposals for the transformation of reality, without having any of them printed: they were ignored by the typographic characters and the fortune of engraving. He called this unique work, in which it was not possible to distinguish between what was communicated literarily and what was expressed with images, antigraphy. His theories are known, but not his constructions. The whereabouts of the planimetries on which he drew his architectural projects are unknown; there is no building that, supported by historical documentation or archaeology, can be attributed to him, not even the discreet Hermitage of San Mamede, resounding in its cylindrical solitude in the region of Sintra.

Pubblicato
23 Maggio 2024
Accettato
07 Novembre 2023
Presentato
14 Ottobre 2023
Lingua
ES
ISBN (EBOOK)
978-88-6969-780-7

Keywords: Calligraphy and drawingHermitage of San MamedeArchitecture and literatureAntigraphyFrancisco de Holanda

Copyright: © 2024 José Joaquín Parra Bañón. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.