The Rise of the Sursock Museum

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Campo DC	Valore
dc.identifier	ECF_chapter_19233
dc.contributor.author	Osman Ashraf
dc.title	The Rise of the Sursock Museum. The Power of the Image to Create an Image of Power
dc.type	Capitolo
dc.language.iso	en
dc.description.abstract	The Sursock Museum is a cultural institution that has played a significant role in shaping the art scene in Beirut, Lebanon, and the wider region, since its establishment in the 1950s-60s. This paper examines how the Museum employed the rhetoric of images on multiple levels, including that of its donor, the architecture, as well as the art to consolidate its power in the second half of the twentieth century. As such, the Sursock Museumʼs policies helped construct its public image as a place of cultural and social significance, while also reflecting broader power structures and hierarchies in Lebanese society.
dc.relation.ispartof	Quaderni di Venezia Arti
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2023-12-22
dc.dateAccepted	2023-10-30
dc.dateSubmitted	2023-09-17
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-771-5/the-rise-of-the-sursock-museum/
dc.identifier.doi	10.30687/978-88-6969-771-5/017
dc.identifier.eissn	2784-8868
dc.identifier.isbn
dc.identifier.eisbn	978-88-6969-771-5
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Beirut
dc.subject	Lebanon
dc.subject	Modern Art History
dc.subject	Modern art history
dc.subject	Nicolas Ibrahim Sursock
dc.subject	Salon d'Automne
dc.subject	Salon dʼAutomne
dc.subject	Sursock Museum

Capitolo
open access peer reviewed

The Rise of the Sursock Museum

The Power of the Image to Create an Image of Power

Ashraf Osman Università Ca’ Foscari Venezia, Italia

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abstract

The Sursock Museum is a cultural institution that has played a significant role in shaping the art scene in Beirut, Lebanon, and the wider region, since its establishment in the 1950s-60s. This paper examines how the Museum employed the rhetoric of images on multiple levels, including that of its donor, the architecture, as well as the art to consolidate its power in the second half of the twentieth century. As such, the Sursock Museumʼs policies helped construct its public image as a place of cultural and social significance, while also reflecting broader power structures and hierarchies in Lebanese society.

Pubblicato

22 Dicembre 2023

Accettato

30 Ottobre 2023

Presentato

17 Settembre 2023

Lingua

ISBN (EBOOK)

978-88-6969-771-5

Keywords: Modern Art History • Nicolas Ibrahim Sursock • Salon dʼAutomne • Lebanon • Beirut • Salon d'Automne • Modern art history • Sursock Museum

permalink: http://doi.org/10.30687/978-88-6969-771-5/017

Copyright: © 2023 Ashraf Osman. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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