Collana | Quaderni di Venezia Arti
Volume 7 | Miscellanea | A Driving Force
A Driving Force
On the Rhetoric of Images and Power
open access | peer reviewed-
a cura di
- Angelica Bertoli - Università Ca’ Foscari Venezia, Italia - email
- Giulia Gelmi - Università Ca’ Foscari Venezia, Italia - email
- Andrea Missagia - Università Ca’ Foscari Venezia, Italia - email orcid profile
- Maria Novella Tavano - Università Ca’ Foscari Venezia, Italia - email
Abstract
The volume comprises a selection of papers presented at the 5th Postgraduate International Conference organized by the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice (Venice, 4-6 October 2023): A Driving Force. On the Rhetoric of Images and Power. In the introduction to his well-known The Power of Images (1989), David Freedberg claims not only that images hold power over us, but they are also, inevitably, related to ‘power’ itself. Art is therefore a powerful and non-neutral tool. Its forms and expressions influence and manipulate the realm of the real. Throughout human history, the artist’s creative power gave form, substance, and meaning to otherwise inert matter. This process turned the artist into a demiurge. Furthermore, once images are given their final form, they circulate and live a life of their own. The 5th Postgraduate International Conference was aimed at investigating the rhetorical nature of the intersection between image and power. In 1979 Yuri Lotman claimed that “rhetoric” is the displacement of the structural principles of a given semiotic sphere into another semiotic sphere. The Tartu semiologist’s approach implies that the “correlation with different semiotic systems gives rise to a rhetorical situation in which a powerful source of elaboration of new meanings is contained”. In exploring these meanings from a multidisciplinary perspective, this volume investigates two main themes: the power of the image, as an autonomous device, endowed with a pervasive and persuasive character; the image as a form for representing power which addresses questions concerning the sense of authority, and its negation, namely a sense of dissidence and counter-narrations.
Keywords Decoloniality • Byzantine Empire • Second Post War Period • General intellect • Materialism • Dissidence • Optic Nerve • Folklore • Holbein • Public sphere • Byzantine sculpture • Sixteenth-century Italian art • Palazzo Madama, Torino • Authority • The Bureau of Melodramatic Research • Coronation of Miraculous Images • Politics • Semiology • Venice Biennale • Post-Representation • Surveillance • Venice • Image theory • Macedonia • Modern art history • Gaze • Occupational realism • Latin faith • Sex • Allegory • Russian style • Metaphor • Palaiologan Renaissance • Warfare • Paraesthetics • Wood • Post-representation • National image • Portrait de la jeune fille en few • Countersurveillance Fashion • Drone • Kodeń • Arts • Arts and crafts • Italy • Lebanon • Lucerne • Painted facade • Visual culture • Byzantine empire • Historiographical bias • Scuole Grandi • Iconography • Religious submission • New Formalism • Image • Visual identity • Aby Warburg • Speculative design • Salon d'Automne • Propaganda • Our Lady of Kodeń • Russian Empire • Design • Autotheory • Alternative press • Contemporary art • Power • Directory • Sursock Museum • Socially engaged art • Renaissance • Poor power images • Crossmapping • Postcolonialism • Beirut • Gendered bodies • Modern Art History • Feminist art • Labour of love • New media installation art • Visual Culture • Revolutionary festival • Melodrama • Vittorio Viale • French Revolution • Symbols • Fascism • Power representation • Saint George • A/traverso • Geographical personifications • Kustar • Political iconography • Poor power Images • Cittadini originari • Pietro Aretino • Sapieha family • Neoliberal imaginary • Technology • Speculative Design • Salon dʼAutomne • Jan Fryderyk Sapieha • Political iconology • Polish-Lithuanian Commonwealth • Power of the images • Image and power • Distorted portrait • Wearable technologies • New Media Installation Art • Rhetoric • Exhibition • Countersurveillance fashion • Un’Ambigua Utopia • The Peggy Guggenheim Collection • Portrait de la jeune fille en feu • Nicolas Ibrahim Sursock • John V Palaiologos
Permalink http://doi.org/10.30687/978-88-6969-771-5 | e-ISBN 978-88-6969-771-5 | Pubblicato 22 Dicembre 2023 | Lingua en
Copyright © 2023 Angelica Bertoli, Giulia Gelmi, Andrea Missagia, Maria Novella Tavano. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
