Collana | Quaderni di Venezia Arti
Miscellanea | A Driving Force
Capitolo | Gendered Allegories of Power and Warfare: Warrior Women as Personifications in Early Modern Art
Abstract
geographical personifications during the early modern period, focusing on sixteenth-century Italian painting. It analyses, through case studies, the ancient origin of these predominantly feminine allegories, the circumstances in which they appeared in painting and the role played by warfare in their proliferation. Additionally, the study delves into the gender dynamics at play, emphasizing how the visual portrayal of cities, countries, and republics as women, metaphorically positioned them as mothers, lovers, wives, or maidens within rhetorical discourses and propagandistic imagery.
Presentato: 17 Settembre 2023 | Accettato: 30 Ottobre 2023 | Pubblicato 22 Dicembre 2023 | Lingua: en
Keywords Geographical personifications • Allegory • Iconography • Gendered bodies • Warfare • Sixteenth-century Italian art • Politics
Copyright © 2023 Elisa Stafferini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-771-5/007
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DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_19235 |
dc.contributor.author |
Stafferini Elisa |
dc.title |
Gendered Allegories of Power and Warfare: Warrior Women as Personifications in Early Modern Art |
dc.type |
Capitolo |
dc.language.iso |
en |
dc.description.abstract |
geographical personifications during the early modern period, focusing on sixteenth-century Italian painting. It analyses, through case studies, the ancient origin of these predominantly feminine allegories, the circumstances in which they appeared in painting and the role played by warfare in their proliferation. Additionally, the study delves into the gender dynamics at play, emphasizing how the visual portrayal of cities, countries, and republics as women, metaphorically positioned them as mothers, lovers, wives, or maidens within rhetorical discourses and propagandistic imagery. |
dc.relation.ispartof |
Quaderni di Venezia Arti |
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
dc.issued |
2023-12-22 |
dc.dateAccepted |
2023-10-30 |
dc.dateSubmitted |
2023-09-17 |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-771-5/gendered-allegories-of-power-and-warfare-warrior-w/ |
dc.identifier.doi |
10.30687/978-88-6969-771-5/007 |
dc.identifier.eissn |
2784-8868 |
dc.identifier.isbn |
|
dc.identifier.eisbn |
978-88-6969-771-5 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
yes |
dc.subject |
Allegory |
dc.subject |
Gendered bodies |
dc.subject |
Geographical personifications |
dc.subject |
Iconography |
dc.subject |
Politics |
dc.subject |
Sixteenth-century Italian art |
dc.subject |
Warfare |
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