Edizioni Ca' Foscari

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Journal issue
open access peer reviewed

Original/Copy

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Language: it, en

Published: Dec. 21, 2021

Keywords

Details • Fake • Daniel Arasse • Collecting • Copy • Medici’s dynasty • Aura • Copyright law • Collective work • Rubens • Seriality • Theory of art • Visual semiotics • Originals/Copies • Diana and Callisto • Titian • Original • Reconstruction • Ephemerality • Multiples • Programmed art • Art copies • Guardi, Antonio • Filippo Baldinucci • Letters • Geometric dance • Painting • Weimar Art Theory • Museum Studies • Open work • Performance • Ovid’s Metamorphoses • Copy/original • Portraits • Muletti, Sebastiano • Theory • Originality • Eighteenth century • Farsetti Collection • Photography • Hamburger Faksimile-Streit • Race • Farsetti, Daniele • Alexander Dorner • Contemporary dance • Ottoman Sultans • Paintings collecting • History of collecting • Venice • Punctum/studium • ‘Second original’ • Museum • Dance • Re-enactment • Copying • Gradenigo, Pietro • Italian art literature • Contemporary art • Paolo Giovio • Postmodern dance • Score

permalink http://doi.org/10.30687/VA/2385-2720/2021/07

Copyright: © 2021 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.