Venezia Arti Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Journal | Venezia Arti
Journal issue | 30 | 2021

Original/Copy

open access | peer reviewed

Keywords Programmed art • Postmodern dance • Score • Diana and Callisto • Ephemerality • Fake • Titian • Weimar Art Theory • Daniel Arasse • Painting • Geometric dance • Race • Venice • Visual semiotics • Farsetti Collection • Collecting • History of collecting • Italian art literature • Details • Paolo Giovio • Seriality • Letters • Re-enactment • Filippo Baldinucci • Medici’s dynasty • ‘Second original’ • Punctum/studium • Muletti, Sebastiano • Photography • Paintings collecting • Theory of art • Copy • Ovid’s Metamorphoses • Museum Studies • Gradenigo, Pietro • Copying • Ottoman Sultans • Portraits • Guardi, Antonio • Originality • Theory • Collective work • Multiples • Performance • Copyright law • Copy/original • Art copies • Dance • Originals/Copies • Open work • Original • Eighteenth century • Hamburger Faksimile-Streit • Reconstruction • Contemporary dance • Aura • Contemporary art • Farsetti, Daniele • Museum • Rubens • Alexander Dorner

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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