Journal |
Venezia Arti
Journal issue | 30 | 2021
Keywords History of collecting • Details • Originals/Copies • Contemporary art • Reconstruction • Dance • Medici’s dynasty • Copyright law • Collective work • Gradenigo, Pietro • ‘Second original’ • Programmed art • Daniel Arasse • Farsetti Collection • Filippo Baldinucci • Guardi, Antonio • Copy • Copying • Farsetti, Daniele • Venice • Art copies • Paolo Giovio • Race • Italian art literature • Titian • Score • Portraits • Re-enactment • Aura • Contemporary dance • Theory of art • Diana and Callisto • Open work • Photography • Punctum/studium • Visual semiotics • Ovid’s Metamorphoses • Seriality • Alexander Dorner • Ottoman Sultans • Paintings collecting • Postmodern dance • Museum • Rubens • Weimar Art Theory • Muletti, Sebastiano • Geometric dance • Theory • Originality • Fake • Museum Studies • Eighteenth century • Collecting • Hamburger Faksimile-Streit • Original • Ephemerality • Multiples • Painting • Copy/original • Performance • Letters
Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language it, en
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Medioevo e età moderna
Contemporaneo
Alia itinera