Venezia Arti Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Journal | Venezia Arti
Journal issue | 30 | 2021

Original/Copy

open access | peer reviewed

Keywords Originals/Copies • Seriality • Aura • Copying • Photography • Hamburger Faksimile-Streit • Dance • Farsetti, Daniele • History of collecting • Guardi, Antonio • Theory • Copy • Letters • Copy/original • Fake • Museum Studies • Rubens • Copyright law • Re-enactment • Italian art literature • Paolo Giovio • Ottoman Sultans • Contemporary art • Filippo Baldinucci • ‘Second original’ • Visual semiotics • Daniel Arasse • Collective work • Ovid’s Metamorphoses • Ephemerality • Postmodern dance • Programmed art • Farsetti Collection • Originality • Theory of art • Gradenigo, Pietro • Original • Weimar Art Theory • Collecting • Performance • Open work • Contemporary dance • Painting • Score • Punctum/studium • Paintings collecting • Reconstruction • Titian • Alexander Dorner • Art copies • Diana and Callisto • Eighteenth century • Medici’s dynasty • Venice • Geometric dance • Multiples • Race • Muletti, Sebastiano • Details • Museum • Portraits

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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