Venezia Arti Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Journal | Venezia Arti
Journal issue | 30 | 2021

Original/Copy

open access | peer reviewed

Keywords Museum • Aura • Theory • Gradenigo, Pietro • Farsetti Collection • Re-enactment • Copy/original • Medici’s dynasty • Letters • Postmodern dance • Reconstruction • Visual semiotics • Alexander Dorner • Programmed art • Geometric dance • Collecting • Contemporary dance • Muletti, Sebastiano • Copying • Photography • Museum Studies • Rubens • Titian • Daniel Arasse • Performance • Venice • Punctum/studium • Filippo Baldinucci • Seriality • Painting • Art copies • Italian art literature • Original • Diana and Callisto • Contemporary art • ‘Second original’ • Copyright law • Dance • Copy • Ovid’s Metamorphoses • Theory of art • Details • History of collecting • Farsetti, Daniele • Portraits • Paintings collecting • Race • Guardi, Antonio • Originality • Originals/Copies • Ottoman Sultans • Multiples • Open work • Collective work • Eighteenth century • Ephemerality • Fake • Weimar Art Theory • Score • Hamburger Faksimile-Streit • Paolo Giovio

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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