Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Contemporary dance • Score • Copy • Copying • Dance • Museum • Museum Studies • Letters • Programmed art • Portraits • Collecting • Race • Muletti, Sebastiano • Rubens • Medici’s dynasty • ‘Second original’ • Photography • Open work • Performance • Italian art literature • Paolo Giovio • Eighteenth century • Copyright law • Ovid’s Metamorphoses • Hamburger Faksimile-Streit • Re-enactment • Copy/original • Filippo Baldinucci • Venice • Punctum/studium • Originals/Copies • Weimar Art Theory • Geometric dance • Seriality • Theory • Reconstruction • Aura • Visual semiotics • Daniel Arasse • Gradenigo, Pietro • Multiples • Diana and Callisto • Originality • Farsetti Collection • Art copies • Fake • Farsetti, Daniele • History of collecting • Ephemerality • Collective work • Ottoman Sultans • Guardi, Antonio • Painting • Paintings collecting • Theory of art • Titian • Alexander Dorner • Original • Contemporary art • Postmodern dance • Details

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language en, it

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