Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Neoplatonism • Venice • Scientific knowledge • Mathematics • Architectural drawing • Pieter Boel • Optics • Viral • Busts • Renaissance • Electronic disobedience • Form • Pastel practice • Ornament • Biographical Cameos • Anamorphosis • Linear perspective • Rayonism • Dance • Art • Francesco Noletti • Planisphere • Pigments • Cyborg • Proportions • Science Treatises • Light and shadow • Alterity • Het Gulden Cabinet • Software • Movement • ) • Abstraction • Mikhail Larionov • Flemish Sources • Mario dei Fiori • Mutation • Neapolitan Collections • Drawing instruments • David De Coninck • Portraits • Grechetto • Diagram • Cornelis De Bie • Russian Avant-garde • Print Collecting • Scenography • Ownership marks • Writing • Bologna, gentry (XVI-XVII cent • Infection • Hybrid space • Poussin • Galleria Manfrin • Posthumanism • Landscape • Book Collecting • Computer art • Anthropocene • Gesture • Theriomorphism • Zaccolini • Security • Manfrin, Girolamo • New media art • Technology • Contemporary Art • Italian Art Literature • Vitruvius • Bologna, accademia dei Gelati • Science • Medallions • Cryptography • Michelangelo Cerquozzi • Paintings • Recipes • Hybridisation • Tactical media • Ideography • Seicento painting • Eighteenth century • Digital image • Still Life in Italy

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language fr, en, it

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