Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Tactical media • Writing • Seicento painting • Pigments • Busts • Anamorphosis • Grechetto • Alterity • Francesco Noletti • Galleria Manfrin • Cryptography • Viral • Infection • Italian Art Literature • Russian Avant-garde • Form • Mutation • Het Gulden Cabinet • Ornament • Venice • Art • Bologna, accademia dei Gelati • Portraits • Light and shadow • New media art • Mario dei Fiori • Biographical Cameos • Computer art • Recipes • Vitruvius • Manfrin, Girolamo • Digital image • Bologna, gentry (XVI-XVII cent • Science Treatises • Architectural drawing • Software • Anthropocene • Posthumanism • Ownership marks • Science • Neapolitan Collections • Print Collecting • Scientific knowledge • Proportions • Abstraction • Renaissance • Cyborg • Scenography • David De Coninck • Neoplatonism • Planisphere • Eighteenth century • Medallions • Theriomorphism • Cornelis De Bie • Drawing instruments • Contemporary Art • Still Life in Italy • Flemish Sources • ) • Book Collecting • Ideography • Security • Optics • Michelangelo Cerquozzi • Pieter Boel • Rayonism • Electronic disobedience • Paintings • Technology • Linear perspective • Movement • Pastel practice • Gesture • Hybridisation • Zaccolini • Dance • Diagram • Mathematics • Hybrid space • Poussin • Landscape • Mikhail Larionov

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language fr, it, en

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