Journal |
Venezia Arti
Monographic journal issue | 29 | 2020
Art and Science
open access | peer reviewedKeywords Cornelis De Bie • Dance • Technology • Pieter Boel • Recipes • Planisphere • Eighteenth century • Cyborg • Het Gulden Cabinet • Neapolitan Collections • Hybrid space • Biographical Cameos • Cryptography • David De Coninck • Hybridisation • Architectural drawing • Science • Galleria Manfrin • Pastel practice • Portraits • Bologna, gentry (XVI-XVII cent • Electronic disobedience • Light and shadow • Seicento painting • Scenography • Francesco Noletti • Print Collecting • Paintings • Writing • Grechetto • Diagram • Abstraction • Venice • Ideography • Alterity • Russian Avant-garde • Mikhail Larionov • Zaccolini • Manfrin, Girolamo • Scientific knowledge • Computer art • Busts • Science Treatises • Mutation • Flemish Sources • Michelangelo Cerquozzi • Tactical media • Ornament • Pigments • Renaissance • Gesture • Landscape • Viral • ) • Mario dei Fiori • Optics • Contemporary Art • Linear perspective • Bologna, accademia dei Gelati • Digital image • Medallions • Still Life in Italy • Poussin • Ownership marks • Anamorphosis • Italian Art Literature • Neoplatonism • Drawing instruments • Art • Anthropocene • Book Collecting • Form • Rayonism • Mathematics • Movement • Theriomorphism • Proportions • Software • Infection • Security • New media art • Vitruvius • Posthumanism
Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language fr, en, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
- Editorial
- Dec. 11, 2020
Medioevo e età moderna
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From Vitruvius to the Science Of Drawing
Daniele Barbaro’s Concept of “Scaenographia” - Dec. 11, 2020
- The Gelati Academy, the Gessi Family and Edgar Allan Poe
- Dec. 11, 2020
- Poussin and Optics: Reflections on the Lake in “a Calm”
- Dec. 11, 2020
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Cornelis De Bie, the Gulden Cabinet and Still Life Painting and Genre Painting in Italy
The Cases of Francesco Noletti known as the Maltese, Mario dei Fiori, Grechetto, Michelangelo Cerquozzi and a Reflection on Pieter Boel and David De Coninck - Dec. 11, 2020
- Pastel Painting in European in the Eighteenth Century between Scientific Knowledge and Artistic Practice
- Dec. 11, 2020
- Books and Prints by the Manfrin House in Venice between the Eighteenth and Nineteenth Centuries. First Considerations
- Dec. 11, 2020
Contemporaneo
- Mikhail Larionov’s Rayonism and the Scientific Mythologies of the Late Nineteenth and Early Twentieth Century
- Dec. 11, 2020
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Computer Art in Italy in the 1980s
Technology, Mathematics and Scientific Imagery - Dec. 11, 2020
- Aesthetics of Infection: From Cyborg to Theriomorph
- Dec. 11, 2020
- Border hacking: An Artistic Conversion of Transnational Borders into the Society of Networks
- Dec. 11, 2020
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The Diagram on Stage
Movement, Gesture and Writing - Dec. 11, 2020
Alia itinera
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Out-of-Frame Figures
The Emergence of the Sculpted Body in Renaissance Architecture in France - Dec. 11, 2020
