Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords History • Philosophical disenfranchisement • Arsenale • Claes Oldenburg • Ulisse Aldrovandi • Art field • Art market • Fashion studies • Restoration • Douglas Gordon • Early photography • Michelangelo Muraro • Photography • Giuseppe Mazzotti • Pragmatism • Venice’s Lido • Federico Pendasio • Pirro Ligorio • Gesture • Nature • Art worlds • Archival photographs • Academy • Consumer culture • Realm of art • Philosophy of art • Guardi • Entrepreneur • Jewish cemetery • Intermediaries • Caucasus • Damien Hirst • Arthur Danto • History of dress • Howard Becker • Objects • Venetian Veduta • ‘The Store’ • Antonio Morassi • Armstrong and Mitchell Cran • Individual • Identity formation • Cultural policy • Osthoff • Material culture • Exhibition • Cultural heritage of Venezia Giulia and Istria • Opera • Visual arts • Gatekeepers • Industrial heritage • Art • Gatekeeper • Border crossing • Mediations • Curator • Ouverture • Contemporary art • Fashion • Gabriele Paleotti • Keeper • Production • Steve McQueen • Museum • Grotesque • Antiquarians • Sociology • Forgers • Venetian villas • Pierre Bourdieu • Venice

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

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