Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Objects • Art • Jewish cemetery • Contemporary art • Giuseppe Mazzotti • Claes Oldenburg • Keeper • Individual • Arthur Danto • Douglas Gordon • Arsenale • Ulisse Aldrovandi • Visual arts • Antiquarians • Gatekeepers • Pierre Bourdieu • Fashion • Venice • Mediations • Art field • Exhibition • Consumer culture • Federico Pendasio • Gabriele Paleotti • Intermediaries • Museum • Nature • Restoration • Entrepreneur • Early photography • Forgers • Photography • Venetian Veduta • Gatekeeper • Art worlds • Howard Becker • Art market • Philosophy of art • Fashion studies • Armstrong and Mitchell Cran • Sociology • Material culture • Cultural policy • Damien Hirst • Osthoff • Guardi • Michelangelo Muraro • Caucasus • Academy • Realm of art • Border crossing • History of dress • Gesture • Antonio Morassi • Pragmatism • Cultural heritage of Venezia Giulia and Istria • Identity formation • ‘The Store’ • Curator • Production • Opera • History • Venetian villas • Pirro Ligorio • Philosophical disenfranchisement • Steve McQueen • Industrial heritage • Ouverture • Venice’s Lido • Grotesque • Archival photographs

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language it, en

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