Venezia Arti Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Journal | Venezia Arti
Journal issue | 25 | 2016

25 | 2016

open access | peer reviewed
Abstract

Keywords Caucasus • Art market • Antiquarians • Fashion • Gatekeepers • Individual • Forgers • Howard Becker • Douglas Gordon • Material culture • Restoration • Art field • Claes Oldenburg • Fashion studies • History of dress • Armstrong and Mitchell Cran • Border crossing • Nature • Giuseppe Mazzotti • Academy • Venice’s Lido • Antonio Morassi • Museum • Cultural policy • Venetian villas • Keeper • Arthur Danto • Venice • Gesture • Cultural heritage of Venezia Giulia and Istria • History • Pragmatism • Grotesque • Osthoff • Federico Pendasio • Sociology • Early photography • Philosophy of art • Art • Damien Hirst • Michelangelo Muraro • Contemporary art • Pierre Bourdieu • Steve McQueen • Guardi • Archival photographs • Curator • Production • Venetian Veduta • Gabriele Paleotti • Identity formation • Consumer culture • Gatekeeper • Mediations • Pirro Ligorio • Visual arts • Art worlds • Entrepreneur • ‘The Store’ • Realm of art • Exhibition • Ouverture • Arsenale • Philosophical disenfranchisement • Objects • Jewish cemetery • Industrial heritage • Intermediaries • Opera • Ulisse Aldrovandi • Photography

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language it, en

Copyright © Roberta Dreon, Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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