Rinascita/Revival | Rebirth/Revival II

Keywords Antiquarian history • Musée d’art et d’industrie • Provenances • Civil function of the museum • Connoisseurship • Dutch Golden Age • Ditlev Blunck • Markets • Milano • Adolfo Venturi • Genio dell’Indipendenza Nazionale • Editors • Corrado Ricci • Carlo Amoretti • Marco Minghetti • Natalis Rondot • Société d’encouragement des arts • Danish Golden Age • Andalusia (Spain) • Portugal • Art industriel • Fortuna • Raphael • Engraving • Collecting • Photography • Albert Küchler • Cesare dell’Acqua • 19th century Milan • Seroux d’Agincourt • South Kensington Museum • Florence • History of architecture • Art photography • Giovanni Gherardo De Rossi • Dmitry Grigorovitch • Renaissance • Ceramics • Parisian Salons • History Painting • Musée d’échantillons • Erudition • Art market • Historical Painting • Pedro de Sousa Holstein • Wilhelm Bendz • Historical Romanticism • Giorgione • Alexandre de Sousa Holstein • Merchants • Stefano Bardini • Galleria De Cristoforis • Stefano Borgia • Revival • Musée d’art industriel • Iconography • Frederik Christian Sibbern • Giovanni Morelli • Conventionalism • Luigi Valeriano Pozzi • Lombard primitives • École Stroganov • Projects • Academy of Fine Arts • Arts décoratifs • Antonio Canova • Henrik Hertz • Pompeo Pozzi • Travel diaries • Art publishing • Royal Gallery of Turin • Romanticism • Antiquities market • Training of artists • Italian Risorgimento • Genre painting • Architects • Greek vases

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Published Oct. 24, 2022 | Language es, en, pt, it, fr

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