Edizioni Ca' Foscari

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Journal issue
open access peer reviewed

Vol. 11 | July 2022

Rinascita/Revival | Rebirth/Revival II

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Language: en, it, es, fr, pt

Published: Oct. 24, 2022

Keywords

Engraving • South Kensington Museum • Giovanni Gherardo De Rossi • Wilhelm Bendz • Stefano Bardini • Corrado Ricci • Henrik Hertz • Société d’encouragement des arts • Provenances • Adolfo Venturi • Pompeo Pozzi • Andalusia (Spain) • Iconography • Genre painting • Lombard primitives • Art publishing • Editors • Antonio Canova • Art industriel • Stefano Borgia • Raphael • Academy of Fine Arts • Connoisseurship • Architects • Markets • Merchants • Italian Risorgimento • Albert Küchler • Fortuna • Civil function of the museum • Antiquarian history • Revival • Galleria De Cristoforis • History of architecture • Arts décoratifs • 19th century Milan • Projects • Dmitry Grigorovitch • Pedro de Sousa Holstein • Musée d’art et d’industrie • Portugal • Greek vases • Travel diaries • Ceramics • Musée d’échantillons • Musée d’art industriel • Antiquities market • Dutch Golden Age • Natalis Rondot • Romanticism • Historical Romanticism • Frederik Christian Sibbern • Ditlev Blunck • Alexandre de Sousa Holstein • Collecting • Luigi Valeriano Pozzi • Art photography • Genio dell’Indipendenza Nazionale • Photography • Royal Gallery of Turin • Marco Minghetti • Cesare dell’Acqua • Art market • Erudition • Renaissance • Historical Painting • Training of artists • History Painting • Milano • Giovanni Morelli • Carlo Amoretti • Danish Golden Age • Parisian Salons • Seroux d’Agincourt • Giorgione • École Stroganov • Conventionalism • Florence

permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11

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