Journal |
magazén
Monographic journal issue | 3 | 2 | 2022
[re]constructions
open access | peer reviewed-
edited by
- Franz Fischer - Università Ca’ Foscari Venezia, Italia - email orcid profile
- Diego Mantoan - Università degli Studi di Palermo, Italia - email orcid profile
- Barbara Tramelli - Libera Università di Bolzano, Italia - email orcid profile
Keywords 3D modeling • Knowledge organisation • Musicological • War damage • Sound • 3D • Music • Visual arts • Laser scanning • Acoustic • 3d model • Digital documentation • Technology • University museum • Linlithgow Palace • Augmented reality • Digital archiving • Reconstruction • New normal • Semantic web • Social network • Digital heritage • Modern art • Database • Interpretation • Museum • Controlled vocabularies • Audience-centred • Chapel • Irony • Public humanities • Urban space • Lebanon • 17th century • Archaeological • Virtual reality • Digital cultural heritage • Experience design • Digital humanities • City • Ontology • Digital art history • Virtual • Timing • Audio • 16th century • Storytelling • Middle ages
Permalink http://doi.org/10.30687/mag/2724-3923/2022/06 | Published Dec. 16, 2022 | Language en, it
Copyright © Franz Fischer, Diego Mantoan, Barbara Tramelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
- Setting the Frame for Digital and Public [Re]constructions as the Very Soul of a Scholarly Enterprise
- Dec. 16, 2022
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Point Cloud to Sound Cloud
Digital Innovation and Historic Sound at Linlithgow Palace - Dec. 16, 2022
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Intertwining the Physical and Digital Experience at University Museum
A Case Study from Keio Museum Commons, Japan - Dec. 16, 2022
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[Re]Constructing Medieval Cultural Heritage
The Case for 3D [Re]Constructions in Academic Research and GLAMS - Dec. 16, 2022
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Modern Art from the Arab Region – Digitisation as a Chance?
The Research and Database Project LAWHA as a Case Study - Dec. 16, 2022
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Re-Inventing the Museum and its Narratives
The Experience of Palazzo Grimani During Lockdowns - Dec. 16, 2022
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Recreating the Sacred Urban Space
Recreating the Sacred Urban Space Warsaw Churches from the End of the Second Northern War Until the End of the Reign of John II Casimir (1657‑68) in the View of the Urban Onto Ontology - Dec. 16, 2022
