[re]constructions
open access | peer reviewed-
edited by
- Franz Fischer - Università Ca’ Foscari Venezia, Italia - email orcid profile
- Diego Mantoan - Università degli Studi di Palermo, Italia - email orcid profile
- Barbara Tramelli - Libera Università di Bolzano, Italia - email orcid profile
Keywords Social network • Technology • Linlithgow Palace • 3d model • Urban space • Digital documentation • Digital heritage • Laser scanning • Acoustic • War damage • Visual arts • Modern art • Museum • Timing • Knowledge organisation • 3D modeling • New normal • Audience-centred • Music • Virtual • 16th century • 3D • Middle ages • City • Chapel • Irony • Public humanities • Musicological • Digital archiving • Reconstruction • Virtual reality • Digital cultural heritage • Digital art history • Storytelling • Semantic web • 17th century • Audio • Ontology • Sound • University museum • Interpretation • Lebanon • Augmented reality • Database • Digital humanities • Archaeological • Controlled vocabularies • Experience design
Permalink http://doi.org/10.30687/mag/2724-3923/2022/06 | Published Dec. 16, 2022 | Language en, it
Copyright © Franz Fischer, Diego Mantoan, Barbara Tramelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.