[re]constructions
open access | peer reviewed-
edited by
- Franz Fischer - Università Ca’ Foscari Venezia, Italia - email orcid profile
- Diego Mantoan - Università degli Studi di Palermo, Italia - email orcid profile
- Barbara Tramelli - Libera Università di Bolzano, Italia - email orcid profile
Keywords Digital documentation • Digital cultural heritage • Musicological • Augmented reality • Laser scanning • Experience design • Irony • Technology • University museum • Visual arts • 3d model • Reconstruction • Modern art • Chapel • Museum • Linlithgow Palace • Music • Acoustic • Digital humanities • 3D modeling • Archaeological • Audience-centred • 3D • Semantic web • Virtual reality • Audio • Public humanities • Controlled vocabularies • Digital heritage • 17th century • Timing • Urban space • Lebanon • 16th century • Database • Digital art history • War damage • New normal • Sound • City • Interpretation • Knowledge organisation • Ontology • Middle ages • Social network • Virtual • Digital archiving • Storytelling
Permalink http://doi.org/10.30687/mag/2724-3923/2022/06 | Published Dec. 16, 2022 | Language en, it
Copyright © Franz Fischer, Diego Mantoan, Barbara Tramelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.