Series | Ca’ Foscari Japanese Studies
Edited book | The Aesthetics of Emptiness
Chapter | Toshio Hosokawa musicista cinematografico
Abstract
The article examines the film soundtracks composed by Hosokawa and highlights their characteristics. At the same time, it attempts to contextualise them within the composer’s catalogue and within the main stylistic traits of his poetics. Not least, the article contextualises Hosokawa’s position in the history of Japanese film music.
Submitted: Feb. 15, 2023 | Published April 21, 2023 | Language: it
Keywords Oguri Kōhei • Toshio Hosokawa • Japanese cinema • Soundtrack • Japanese film music
Copyright © 2023 Roberto Calabretto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-701-2/016