Estetica del vuoto in Mori Mariko

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DC Field	Value
dc.identifier	ECF_chapter_15141
dc.contributor.author	Rivadossi Silvia
dc.title	Estetica del vuoto in Mori Mariko. Un uso strategico del discorso sullo Zen
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	This paper investigates how contemporary artist Mori Mariko has constructed her discourse on Buddhism in general and Zen in particular. In her works, Zen is perceived and described as ‘spirituality’ characterised by the concept of oneness and a harmonious relationship with nature. It will become clear how Suzuki Daisetsu’s construction of Zen has influenced this essentialist view. The paper concludes that through the analysis of Mori’s works it is possible to reach a better understanding of what ‘Zen’ means today, especially in the Euro-American contexts.
dc.relation.ispartof	Ca’ Foscari Japanese Studies
dc.relation.ispartof	Arts and Literature
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2023-04-21
dc.dateAccepted	2022-11-24
dc.dateSubmitted	2022-09-02
dc.identifier.uri	http://edizionicafoscari.unive.it/en/edizioni4/libri/978-88-6969-702-9/estetica-del-vuoto-in-mori-mariko/
dc.identifier.doi	10.30687/978-88-6969-701-2/010
dc.identifier.issn	2610-8976
dc.identifier.eissn	2610-9395
dc.identifier.isbn	978-88-6969-702-9
dc.identifier.eisbn	978-88-6969-701-2
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Auto-orientalismo
dc.subject	Estetica del vuoto
dc.subject	Mori Mariko
dc.subject	Suzuki Daisetsu
dc.subject	Zen

Chapter
open access peer reviewed

Estetica del vuoto in Mori Mariko

Un uso strategico del discorso sullo Zen

Silvia Rivadossi Università Ca’ Foscari Venezia, Italia

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abstract

This paper investigates how contemporary artist Mori Mariko has constructed her discourse on Buddhism in general and Zen in particular. In her works, Zen is perceived and described as ‘spirituality’ characterised by the concept of oneness and a harmonious relationship with nature. It will become clear how Suzuki Daisetsu’s construction of Zen has influenced this essentialist view. The paper concludes that through the analysis of Mori’s works it is possible to reach a better understanding of what ‘Zen’ means today, especially in the Euro-American contexts.

Published

April 21, 2023

Accepted

Nov. 24, 2022

Submitted

Sept. 2, 2022

Language

ISBN (PRINT)

978-88-6969-702-9

ISBN (EBOOK)

978-88-6969-701-2

Keywords: Auto-orientalismo • Zen • Estetica del vuoto • Mori Mariko • Suzuki Daisetsu

permalink: http://doi.org/10.30687/978-88-6969-701-2/010

Copyright: © 2023 Silvia Rivadossi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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