Intorno a Takemitsu e Hosokawa (con una digressione)

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DC Field	Value
dc.identifier	ECF_chapter_16787
dc.contributor.author	Notargiacomo Paolo
dc.title	Intorno a Takemitsu e Hosokawa (con una digressione). Presentazione del concerto Due omaggi del 22 febbraio 2022
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	In presenting the concert Due omaggi, dedicated to the music of Takemitsu and Hosokawa, but also to the influences and suggestions of Japanese aesthetics on the Western world, the author briefly illustrates the dialogue between European and Japanese music that runs through the entire modern era, from fin de siècle Japaneseism to the most recent neo-avant-garde aesthetics. The history of this long and rich relationship, made up of exchanges, loans, contaminations, mirrorings and mutual identifications, is, in fact, a necessary premise for understanding a large number of elements, choices and aspects that characterise contemporary music on both sides. In the light, then, of this profound liaison, the individual pieces that make up the varied programme are framed and described.
dc.relation.ispartof	Ca’ Foscari Japanese Studies
dc.relation.ispartof	Arts and Literature
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2023-04-21
dc.dateSubmitted	2023-03-08
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-702-9/intorno-a-takemitsu-e-hosokawa-con-una-digressione/
dc.identifier.doi	10.30687/978-88-6969-701-2/003
dc.identifier.issn	2610-8976
dc.identifier.eissn	2610-9395
dc.identifier.isbn	978-88-6969-702-9
dc.identifier.eisbn	978-88-6969-701-2
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no

Chapter
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Intorno a Takemitsu e Hosokawa (con una digressione)

Presentazione del concerto Due omaggi del 22 febbraio 2022

Paolo Notargiacomo Conservatorio di Musica Benedetto Marcello, Venezia, Italia

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abstract

In presenting the concert Due omaggi, dedicated to the music of Takemitsu and Hosokawa, but also to the influences and suggestions of Japanese aesthetics on the Western world, the author briefly illustrates the dialogue between European and Japanese music that runs through the entire modern era, from fin de siècle Japaneseism to the most recent neo-avant-garde aesthetics. The history of this long and rich relationship, made up of exchanges, loans, contaminations, mirrorings and mutual identifications, is, in fact, a necessary premise for understanding a large number of elements, choices and aspects that characterise contemporary music on both sides. In the light, then, of this profound liaison, the individual pieces that make up the varied programme are framed and described.

Published

April 21, 2023

Submitted

March 8, 2023

Language

ISBN (PRINT)

978-88-6969-702-9

ISBN (EBOOK)

978-88-6969-701-2

permalink: http://doi.org/10.30687/978-88-6969-701-2/003

Copyright: © 2023 Paolo Notargiacomo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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