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The Aesthetics of Emptiness

Voids, Fullness, Sounds, Silences, Presences, Absences

edited by

Silvia Rivadossi    Università Ca’ Foscari Venezia, Italia    

Cecilia Franchini    Conservatorio di Musica Benedetto Marcello, Venezia    

Bonaventura Ruperti    Università Ca’ Foscari Venezia, Italia    

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abstract

This volume follows the International Festival Japan Contemporary Arts in Venice The Aesthetics of Emptiness, organised between 21 and 24 February 2022 by Benedetto Marcello Music Conservatory in Venice, the Department of Asian and North African Studies of Ca’ Foscari University of Venice, and Venice Academy of Fine Arts (institutions united in the Study in Venice project), with the generous support of the Japan Foundation. During the Festival, musical performances, concerts, workshops, meetings with Japanese artists, and conferences led participants to immerse themselves in Japanese arts and culture. The structure of the volume is designed to allow the reader to relive these experiences, also through multimedia content, and to explore some of the themes that emerged. The first section is dedicated to the events curated by Benedetto Marcello Music Conservatory and Venice Academy of Fine Arts, while the second brings together some of the contributions presented during the conference organised by the Department of Asian and North African Studies. The various essays revolve around the themes of sound, silence, emptiness, fullness, presence, and absence, and are dedicated to the memory of Bonaventura Ruperti.

Published
April 21, 2023
Language
IT, EN
ISBN (PRINT)
978-88-6969-702-9
ISBN (EBOOK)
978-88-6969-701-2
Number of pages
200
Copyright: © 2023 Silvia Rivadossi, Cecilia Franchini, Bonaventura Ruperti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Table of contents

Cecilia Franchini   
April 21, 2023
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Silvia Rivadossi   
April 21, 2023
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Sezione I. «Japan Contemporary Arts in Venice»: presentazioni e recensioni
Riccardo Caldura   
April 21, 2023
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Presentazione del concerto Due omaggi del 22 febbraio 2022
Paolo Notargiacomo   
April 21, 2023
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Venice, Conservatorio di Musica Benedetto Marcello, 21 February 2022
Sviatoslav Avilov   
April 21, 2023
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Venezia, Conservatorio di Musica Benedetto Marcello, 23 febbraio 2022
Edoardo Pugliese   
April 21, 2023
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Venezia, Fondazione Ugo e Olga Levi, 24 febbraio 2022
Anna Dobrucka   
April 21, 2023
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Analisi generale e riflessioni personali sull’opera
Leonardo Francescon   
April 21, 2023
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Sezione II. Saggi accademici su vuoti, pieni, presenze, assenze, suoni, silenzi
Forme dell’arte nella Via del Buddha
Aldo Tollini   
April 21, 2023
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Un uso strategico del discorso sullo Zen
Silvia Rivadossi   
April 21, 2023
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Governamentalità e commodificazione in A.K.A. Serial Killer
Eugenio De Angelis   
April 21, 2023
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Maria Roberta Novielli   
April 21, 2023
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Luciana Galliano   
April 21, 2023
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Filosofia del suono nell’Etude III per pianoforte di Toshio Hosokawa
Letizia Michielon   
April 21, 2023
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Roberto Calabretto   
April 21, 2023
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Lettura e ascolto di Lettera alla madre per shō
Riccardo Vaglini   
April 21, 2023
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