Series | Ca’ Foscari Japanese Studies
Edited book | The Aesthetics of Emptiness
Review | Review of The Spirit of Japanese Percussions in Venice
Abstract
The Aesthetics of Emptiness was one of the first live music festivals after the long period of the pandemic. The Venetian public was excited to finally hear and see live energy at the Venetian Conservatory’s concert hall. Following the introductory words presenting Trio Munedaiko, the collective destined to open this historical festivity of Japanese music, culture, spirit and art, the concert hall went dim, expecting the unpredictable: a concert of solely Japanese percussions.
Submitted: March 8, 2023 | Published April 21, 2023 | Language: en
Copyright © 2023 Sviatoslav Avilov. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-701-2/004