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DC Field	Value
dc.identifier	ECF_book_524
dc.creator	Canova Leonardo
dc.creator	Lombardo Luca
dc.creator	Rigo Paolo
dc.title	«A riveder la china». Dante nei fumetti (e vignette) italiani dal XIX al XXI secolo
dc.type	Edited book
dc.language.iso	it
dc.description.abstract	This volume is born from the desire to bring together two worlds: that of Dante scholars and that of cartoonists and illustrators who have drawn inspiration from Dante. The volume is composed of two sections, the first of which, without any claim to being exhaustive, intends to retrace and analyse the presence of Dante and his works in Italian comics and cartoons from the end of the nineteenth century to the present day. Here, from the relationship with the archetypal Gustave Doré, we come to the most recent realisations on web platforms, crossing important junctions in the history of Italy along with some of the most important representatives of the ninth art – Guido Martina, Milo Manara, Benito Jacovitti, Marcello, Astrid – and the equally (and perhaps more) famous characters protagonists of these albums: Mickey Mouse, Geppo, Cattivik and many others. The second section of this volume, instead, hosts a gallery of unpublished works, and alternates brief writings by important exponents of the world of comics with contributions by established or emerging artists who wanted to lend Dante their colourful inks: Marco Amatori, Susanna Barsotti, Alice Boffa, Carola Borelli, Stella Elisa Cassinese, Francesco Dossena, Mattia Iacono, Bruno Letizia, Fabio Listrani, Marcello Magiantini, Fabio Mantovani, Susanna Mariani, Helena Masellis, Davide Messina, Ilaria Palleschi, Michele Penco, Virginia Salucci and Alessio Zanon.
dc.relation.ispartof	Italianistica. Nuova serie
dc.identifier.doi	10.30687/978-88-6969-565-0
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2021-11-15
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-566-7/
dc.identifier.issn	2610-9514
dc.identifier.eissn	2610-9522
dc.identifier.isbn	978-88-6969-566-7
dc.identifier.eisbn	978-88-6969-565-0
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Cattivik
dc.subject	Cattivik
dc.subject	Comics
dc.subject	Comics
dc.subject	Comics
dc.subject	Comics
dc.subject	Comics
dc.subject	Comics
dc.subject	Comics
dc.subject	Commedia
dc.subject	Commedia
dc.subject	Commedia
dc.subject	Commedia
dc.subject	Corriere della Sera
dc.subject	Corriere della Sera
dc.subject	Dante
dc.subject	Dante
dc.subject	Dante
dc.subject	Dante
dc.subject	Dante
dc.subject	Dante
dc.subject	Dante
dc.subject	Dante
dc.subject	Dante
dc.subject	Dante
dc.subject	Dante
dc.subject	Dante
dc.subject	Dante
dc.subject	Dante
dc.subject	Dante
dc.subject	Dante in the twentieth century
dc.subject	Dante in the twentieth century
dc.subject	Dante comics
dc.subject	Dante comics
dc.subject	Dante’s biography
dc.subject	Dante’s biography
dc.subject	Dante’s fortune
dc.subject	Dante’s fortune
dc.subject	Disney literature classics
dc.subject	Disney literature classics
dc.subject	Divine Comedy
dc.subject	Divine Comedy
dc.subject	Don Alemanno
dc.subject	Don Alemanno
dc.subject	Emilio Giannelli
dc.subject	Emilio Giannelli
dc.subject	Enzo Biagi
dc.subject	Enzo Biagi
dc.subject	Farinata degli Uberti
dc.subject	Farinata degli Uberti
dc.subject	Federico Fellini
dc.subject	Federico Fellini
dc.subject	Feudalesimo&libertà
dc.subject	Feudalesimo&libertà
dc.subject	Fortune
dc.subject	Fortune
dc.subject	Francesco Petrarca
dc.subject	Francesco Petrarca
dc.subject	Great parodies
dc.subject	Great parodies
dc.subject	Guido Martina
dc.subject	Guido Martina
dc.subject	Gustave Doré
dc.subject	Gustave Doré
dc.subject	Hellish underground
dc.subject	Hellish underground
dc.subject	Humour
dc.subject	Humour
dc.subject	Illustration
dc.subject	Illustrations
dc.subject	Illustrations
dc.subject	Illustrations
dc.subject	Illustrations
dc.subject	Inferno
dc.subject	Inferno
dc.subject	Inferno
dc.subject	Inferno
dc.subject	Intertestuality
dc.subject	Intertestuality
dc.subject	Intertextuality
dc.subject	Italian linguistics
dc.subject	Italian linguistics
dc.subject	Jacovitti
dc.subject	Jacovitti
dc.subject	Kleiner Flug
dc.subject	Kleiner Flug
dc.subject	Lorenzo Mattotti
dc.subject	Lorenzo Mattotti
dc.subject	Marcello Toninelli
dc.subject	Marcello Toninelli
dc.subject	Milo Manara
dc.subject	Milo Manara
dc.subject	Milton Glaser
dc.subject	Milton Glaser
dc.subject	Moebius
dc.subject	Moebius
dc.subject	Newspaper
dc.subject	Newspaper
dc.subject	Parody
dc.subject	Parody
dc.subject	Parody
dc.subject	Parody
dc.subject	Parody
dc.subject	Parody
dc.subject	Post-war Italy
dc.subject	Post-war Italy
dc.subject	Satire
dc.subject	Satire
dc.subject	Satire
dc.subject	Satire
dc.subject	Satire
dc.subject	Satire
dc.subject	Scatology
dc.subject	Scatology
dc.subject	Topolino
dc.subject	Topolino
dc.subject	Transmedia
dc.subject	Transmedia
dc.subject	Transmediality
dc.subject	Upside-down world
dc.subject	Upside-down world
dc.subject	Vita nova
dc.subject	Vita nova
dc.subject	llustration
dc.subject	llustration

Edited book
open access

«A riveder la china»

Dante nei fumetti (e vignette) italiani dal XIX al XXI secolo

edited by

Leonardo Canova Università di Pisa, Italia

Luca Lombardo Università degli Studi di Bergamo, Italia

Paolo Rigo Università degli Studi Roma Tre, Italia

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abstract

This volume is born from the desire to bring together two worlds: that of Dante scholars and that of cartoonists and illustrators who have drawn inspiration from Dante. The volume is composed of two sections, the first of which, without any claim to being exhaustive, intends to retrace and analyse the presence of Dante and his works in Italian comics and cartoons from the end of the nineteenth century to the present day. Here, from the relationship with the archetypal Gustave Doré, we come to the most recent realisations on web platforms, crossing important junctions in the history of Italy along with some of the most important representatives of the ninth art – Guido Martina, Milo Manara, Benito Jacovitti, Marcello, Astrid – and the equally (and perhaps more) famous characters protagonists of these albums: Mickey Mouse, Geppo, Cattivik and many others. The second section of this volume, instead, hosts a gallery of unpublished works, and alternates brief writings by important exponents of the world of comics with contributions by established or emerging artists who wanted to lend Dante their colourful inks: Marco Amatori, Susanna Barsotti, Alice Boffa, Carola Borelli, Stella Elisa Cassinese, Francesco Dossena, Mattia Iacono, Bruno Letizia, Fabio Listrani, Marcello Magiantini, Fabio Mantovani, Susanna Mariani, Helena Masellis, Davide Messina, Ilaria Palleschi, Michele Penco, Virginia Salucci and Alessio Zanon.

Published

Nov. 15, 2021

Language

ISBN (PRINT)

978-88-6969-566-7

ISBN (EBOOK)

978-88-6969-565-0

Number of pages

300

Dimensions

16x23 cm

Keywords

Corriere della Sera • Dante • Milo Manara • Dante in the twentieth century • Topolino • Comics • Lorenzo Mattotti • Milton Glaser • Italian linguistics • Vita nova • Disney literature classics • Fortune • Illustration • Feudalesimo&libertà • Cattivik • Guido Martina • Illustrations • Marcello Toninelli • Parody • Enzo Biagi • Transmedia • Divine Comedy • Kleiner Flug • Feudalesimo&libertà • Satire • Intertestuality • Farinata degli Uberti • Scatology • Francesco Petrarca • Upside-down world • Great parodies • Commedia • Transmediality • Federico Fellini • llustration • Moebius • Intertextuality • Newspaper • Post-war Italy • Dante comics • Dante’s fortune • Gustave Doré • Hellish underground • Don Alemanno • Inferno • Humour • Dante’s biography • Emilio Giannelli • Jacovitti

permalink http://doi.org/10.30687/978-88-6969-565-0

Copyright: © 2021 Leonardo Canova, Luca Lombardo, Paolo Rigo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.