Italianistica. Nuova serie



Italianistica. Nuova serie

open access | peer reviewed

Aims & Scope
La collana intende raccogliere studi e testi di ambito italianistico, riferentisi al periodo dalle Origini ai giorni nostri, prodotti in Italia o fuori d’Italia in una delle lingue di cultura europee occidentali. I lavori dovranno presentare caratteri di originalità, risultare per la massima parte inediti, mirare a proporsi come innovativi sul piano critico e metodologico.

Permalink doi.org | e-ISSN 2610-9522 | ISSN 2610-9514 | Language en, it | ANCE E244551

Copyright This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Latest published volume

Latest journal publication cover
  • Le rime di Andrea Michieli detto lo Strazzola
  • Edizione critica e commento
  • Enea Pezzini
  • Aug. 1, 2025

  • During the fifteenth century, the Veneto region experienced an increase of eccentric and experimental literary movements, which spread across the province but rarely reached Venice itself. Among the few poetic voices of the capital, Andrea Michieli, known as “lo Strazzola” (d. 1510), stands out as the author of a notable collection of comic-satirical rhymes. His works, primarily preserved in manuscript alpha.G.6.13 at the Biblioteca Estense in Modena, were discovered in the late nineteenth century by Vittorio Rossi, though they were never published. This volume presents the first critical and annotated edition of Michieli’s complete works, introduced by an historical-literary preface, which includes a linguistic analysis and a study of the manuscript tradition. Strazzola’s rhymes not only reflect the forms and styles that Tuscan comic-satirical poetry took on in northern Italy at the end of the fifteenth century, but they also serve as a valuable testament to the Venetian poetic language of the late Quattrocento, offering insight into numerous contemporary Venetian events.





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