Series |
Library of Rassegna iberistica
Volume 15 | Edited book | Classical Spanish Theater in the Cinema
Classical Spanish Theater in the Cinema
open access | peer reviewed
-
edited by
- Marco Presotto - Università degli Studi di Trento, Italia - email
Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.
Keywords Golden Age Drama • Pilar Miró • Rafael Alberti • El perro del hortelano • Theatre in cinema • Filmic rewriting • Shakespeare • Cinema • Nazism • Spanishness • Theater-cinema relations • Propaganda • Dialectic high vs low • Don Juan • Monologue • El desdén con el desdén • National identity • Audience • Cinematic space • Argentine cinema • Reception of the Golden Age theatre heritage • Theatrical space • Golden Age Drama Studies • La vida es sueño • Communism • Screen adaptation • Calderón • María Teresa León • Dictatorship • Naples • Lope de Vega • Reception of the Golden Age Theatre Heritage • Portugal • Spanish Comedia • Spain • El Alcalde de Zalamea • Adaptation • Cinematographic adaption • Francisco Franco • Reception • Spanish theater of Golden Century • Censorship • Film adaptation • Francoism • Pedro Calderón de la Barca • Franco’s regime • Menos es más • Agustín Moreto • Theories on adaptation • Hispanism • Spanish Golden Age theater • Theatre • Film version • Spanish cinema • Siglo de Oro
Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es
Copyright © 2019 Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
-
Las reescrituras fílmicas de la comedia nueva
Un patrimonio desconocido y desatendido (hasta ahora) - July 12, 2019
-
Más allá de la adaptación
El reciclado de materiales temáticos del teatro áureo español en el cine - July 12, 2019
- «Humano, demasiado humano»: reinterpretaciones cinematográficas y televisivas de La vida es sueño en el tardofranquismo
- July 12, 2019
-
La dialéctica alto vs bajo en El perro del hortelano
Del decorado verbal de Lope de Vega a la transposición fílmica de Pilar Miró - July 12, 2019
