Series |
Library of Rassegna iberistica
Volume 15 | Edited book | Classical Spanish Theater in the Cinema
Classical Spanish Theater in the Cinema
open access | peer reviewed-
edited by
- Marco Presotto - Università degli Studi di Trento, Italia - email
Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.
Keywords Propaganda • Pedro Calderón de la Barca • Agustín Moreto • Cinematic space • Portugal • Reception • El perro del hortelano • Hispanism • María Teresa León • Theories on adaptation • Golden Age Drama Studies • Theatre • El desdén con el desdén • Theatre in cinema • Film version • El Alcalde de Zalamea • Theatrical space • Monologue • National identity • Dictatorship • Shakespeare • Spain • Reception of the Golden Age theatre heritage • Francoism • Cinematographic adaption • Film adaptation • Argentine cinema • Dialectic high vs low • Calderón • Spanish theater of Golden Century • Nazism • Spanish Comedia • Golden Age Drama • Pilar Miró • Filmic rewriting • Spanishness • Menos es más • Francisco Franco • La vida es sueño • Naples • Don Juan • Siglo de Oro • Spanish Golden Age theater • Rafael Alberti • Theater-cinema relations • Adaptation • Spanish cinema • Cinema • Lope de Vega • Screen adaptation • Audience • Franco’s regime • Communism • Censorship • Reception of the Golden Age Theatre Heritage
Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es
Copyright © 2019 Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
- Introducción: el teatro clásico y su reescritura contemporánea
- Marco Presotto
- July 12, 2019
-
Las reescrituras fílmicas de la comedia nueva
Un patrimonio desconocido y desatendido (hasta ahora) - Alba Carmona
- July 12, 2019
- Del teatro al cine: sobre el concepto de adaptación y sus transformaciones
- Iván Gómez García
- July 12, 2019
-
Más allá de la adaptación
El reciclado de materiales temáticos del teatro áureo español en el cine - José Antonio Pérez Bowie
- July 12, 2019
- El teatro áureo en la pantalla: estrategias de cinematización del monólogo (I)
- Simone Trecca
- July 12, 2019
- La dama duende prohibida: la censura de la película argentina en la España franquista
- Tiziana Pucciarelli
- July 12, 2019
- «Humano, demasiado humano»: reinterpretaciones cinematográficas y televisivas de La vida es sueño en el tardofranquismo
- Eugenio Maggi
- July 12, 2019
- El alcalde de Zalamea: dos adaptaciones cinematográficas de Calderón
- Simon Kroll
- July 12, 2019
- «Don Juan, ¿español?». Sobre la españolidad en Don Juan de José Luis Sáenz de Heredia
- Cayce Elder
- July 12, 2019
- El perro del hortelano: de espacio escénico a espacio cinematográfico
- Juan Carlos Garrot Zambrana
- July 12, 2019
-
La dialéctica alto vs bajo en El perro del hortelano
Del decorado verbal de Lope de Vega a la transposición fílmica de Pilar Miró - Marcella Trambaioli
- July 12, 2019
- El teatro áureo en la gran pantalla: Menos es más de Pascal Jongen y El desdén con el desdén de Moreto
- Debora Vaccari
- July 12, 2019
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_book_372 |
|
dc.creator |
Presotto Marco |
|
dc.title |
Classical Spanish Theater in the Cinema |
|
dc.type |
Edited book |
|
dc.language.iso |
es |
|
dc.description.abstract |
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society. |
|
dc.relation.ispartof |
Library of Rassegna iberistica |
|
dc.identifier.doi |
10.30687/978-88-6969-330-4 |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.issued |
2019-07-12 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-331-1/ |
|
dc.identifier.issn |
2610-8844 |
|
dc.identifier.eissn |
2610-9360 |
|
dc.identifier.isbn |
978-88-6969-331-1 |
|
dc.identifier.eisbn |
978-88-6969-330-4 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
yes |
|
dc.subject |
Adaptation |
|
dc.subject |
Adaptation |
|
dc.subject |
Adaptation |
|
dc.subject |
Adaptation |
|
dc.subject |
Adaptation |
|
dc.subject |
Agustín Moreto |
|
dc.subject |
Agustín Moreto |
|
dc.subject |
Agustín Moreto |
|
dc.subject |
Argentine cinema |
|
dc.subject |
Argentine cinema |
|
dc.subject |
Argentine cinema |
|
dc.subject |
Audience |
|
dc.subject |
Audience |
|
dc.subject |
Audience |
|
dc.subject |
Calderón |
|
dc.subject |
Calderón |
|
dc.subject |
Calderón |
|
dc.subject |
Censorship |
|
dc.subject |
Censorship |
|
dc.subject |
Censorship |
|
dc.subject |
Cinema |
|
dc.subject |
Cinema |
|
dc.subject |
Cinema |
|
dc.subject |
Cinematic space |
|
dc.subject |
Cinematic space |
|
dc.subject |
Cinematic space |
|
dc.subject |
Cinematographic adaption |
|
dc.subject |
Cinematographic adaption |
|
dc.subject |
Cinematographic adaption |
|
dc.subject |
Communism |
|
dc.subject |
Communism |
|
dc.subject |
Communism |
|
dc.subject |
Dialectic high vs low |
|
dc.subject |
Dialectic high vs low |
|
dc.subject |
Dialectic high vs low |
|
dc.subject |
Dictatorship |
|
dc.subject |
Dictatorship |
|
dc.subject |
Dictatorship |
|
dc.subject |
Don Juan |
|
dc.subject |
Don Juan |
|
dc.subject |
Don Juan |
|
dc.subject |
El Alcalde de Zalamea |
|
dc.subject |
El Alcalde de Zalamea |
|
dc.subject |
El Alcalde de Zalamea |
|
dc.subject |
El desdén con el desdén |
|
dc.subject |
El desdén con el desdén |
|
dc.subject |
El desdén con el desdén |
|
dc.subject |
El perro del hortelano |
|
dc.subject |
El perro del hortelano |
|
dc.subject |
El perro del hortelano |
|
dc.subject |
El perro del hortelano |
|
dc.subject |
El perro del hortelano |
|
dc.subject |
Film adaptation |
|
dc.subject |
Film adaptation |
|
dc.subject |
Film adaptation |
|
dc.subject |
Film adaptation |
|
dc.subject |
Film adaptation |
|
dc.subject |
Film version |
|
dc.subject |
Film version |
|
dc.subject |
Film version |
|
dc.subject |
Filmic rewriting |
|
dc.subject |
Filmic rewriting |
|
dc.subject |
Filmic rewriting |
|
dc.subject |
Francisco Franco |
|
dc.subject |
Francisco Franco |
|
dc.subject |
Francisco Franco |
|
dc.subject |
Francoism |
|
dc.subject |
Francoism |
|
dc.subject |
Francoism |
|
dc.subject |
Franco’s regime |
|
dc.subject |
Franco’s regime |
|
dc.subject |
Franco’s regime |
|
dc.subject |
Golden Age Drama |
|
dc.subject |
Golden Age Drama |
|
dc.subject |
Golden Age Drama |
|
dc.subject |
Golden Age Drama Studies |
|
dc.subject |
Golden Age Drama Studies |
|
dc.subject |
Golden Age Drama Studies |
|
dc.subject |
Golden Age Drama Studies |
|
dc.subject |
Golden Age Drama Studies |
|
dc.subject |
Hispanism |
|
dc.subject |
Hispanism |
|
dc.subject |
Hispanism |
|
dc.subject |
La vida es sueño |
|
dc.subject |
La vida es sueño |
|
dc.subject |
La vida es sueño |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope de Vega |
|
dc.subject |
María Teresa León |
|
dc.subject |
María Teresa León |
|
dc.subject |
María Teresa León |
|
dc.subject |
Menos es más |
|
dc.subject |
Menos es más |
|
dc.subject |
Menos es más |
|
dc.subject |
Monologue |
|
dc.subject |
Monologue |
|
dc.subject |
Monologue |
|
dc.subject |
Naples |
|
dc.subject |
Naples |
|
dc.subject |
Naples |
|
dc.subject |
National identity |
|
dc.subject |
National identity |
|
dc.subject |
National identity |
|
dc.subject |
Nazism |
|
dc.subject |
Nazism |
|
dc.subject |
Nazism |
|
dc.subject |
Pedro Calderón de la Barca |
|
dc.subject |
Pedro Calderón de la Barca |
|
dc.subject |
Pedro Calderón de la Barca |
|
dc.subject |
Pedro Calderón de la Barca |
|
dc.subject |
Pedro Calderón de la Barca |
|
dc.subject |
Pilar Miró |
|
dc.subject |
Pilar Miró |
|
dc.subject |
Pilar Miró |
|
dc.subject |
Pilar Miró |
|
dc.subject |
Pilar Miró |
|
dc.subject |
Portugal |
|
dc.subject |
Portugal |
|
dc.subject |
Portugal |
|
dc.subject |
Propaganda |
|
dc.subject |
Propaganda |
|
dc.subject |
Propaganda |
|
dc.subject |
Rafael Alberti |
|
dc.subject |
Rafael Alberti |
|
dc.subject |
Rafael Alberti |
|
dc.subject |
Reception |
|
dc.subject |
Reception |
|
dc.subject |
Reception |
|
dc.subject |
Reception of the Golden Age Theatre Heritage |
|
dc.subject |
Reception of the Golden Age Theatre Heritage |
|
dc.subject |
Reception of the Golden Age Theatre Heritage |
|
dc.subject |
Reception of the Golden Age theatre heritage |
|
dc.subject |
Reception of the Golden Age theatre heritage |
|
dc.subject |
Reception of the Golden Age theatre heritage |
|
dc.subject |
Screen adaptation |
|
dc.subject |
Screen adaptation |
|
dc.subject |
Screen adaptation |
|
dc.subject |
Shakespeare |
|
dc.subject |
Shakespeare |
|
dc.subject |
Shakespeare |
|
dc.subject |
Siglo de Oro |
|
dc.subject |
Siglo de Oro |
|
dc.subject |
Siglo de Oro |
|
dc.subject |
Spain |
|
dc.subject |
Spain |
|
dc.subject |
Spain |
|
dc.subject |
Spanish Comedia |
|
dc.subject |
Spanish Comedia |
|
dc.subject |
Spanish Comedia |
|
dc.subject |
Spanish Golden Age theater |
|
dc.subject |
Spanish Golden Age theater |
|
dc.subject |
Spanish Golden Age theater |
|
dc.subject |
Spanish cinema |
|
dc.subject |
Spanish cinema |
|
dc.subject |
Spanish cinema |
|
dc.subject |
Spanish theater of Golden Century |
|
dc.subject |
Spanish theater of Golden Century |
|
dc.subject |
Spanish theater of Golden Century |
|
dc.subject |
Spanishness |
|
dc.subject |
Spanishness |
|
dc.subject |
Spanishness |
|
dc.subject |
Theater-cinema relations |
|
dc.subject |
Theater-cinema relations |
|
dc.subject |
Theater-cinema relations |
|
dc.subject |
Theatre |
|
dc.subject |
Theatre |
|
dc.subject |
Theatre |
|
dc.subject |
Theatre |
|
dc.subject |
Theatre |
|
dc.subject |
Theatre in cinema |
|
dc.subject |
Theatre in cinema |
|
dc.subject |
Theatre in cinema |
|
dc.subject |
Theatre in cinema |
|
dc.subject |
Theatre in cinema |
|
dc.subject |
Theatrical space |
|
dc.subject |
Theatrical space |
|
dc.subject |
Theatrical space |
|
dc.subject |
Theories on adaptation |
|
dc.subject |
Theories on adaptation |
|
dc.subject |
Theories on adaptation |
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