Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Renaissance • David De Coninck • Print Collecting • Landscape • Technology • Galleria Manfrin • Neoplatonism • Ownership marks • Mario dei Fiori • Poussin • Security • Scientific knowledge • Art • Cornelis De Bie • Grechetto • Eighteenth century • Mikhail Larionov • New media art • Het Gulden Cabinet • Paintings • Drawing instruments • Pastel practice • Light and shadow • Abstraction • Mathematics • Science Treatises • Viral • Biographical Cameos • Bologna, accademia dei Gelati • Posthumanism • Neapolitan Collections • Cyborg • Zaccolini • Vitruvius • Hybridisation • Infection • Recipes • Manfrin, Girolamo • Dance • Ornament • Contemporary Art • Tactical media • Movement • Rayonism • Still Life in Italy • Book Collecting • Anthropocene • Computer art • Writing • Alterity • Italian Art Literature • Hybrid space • Optics • Gesture • Mutation • Portraits • Diagram • Electronic disobedience • Russian Avant-garde • Francesco Noletti • Seicento painting • Michelangelo Cerquozzi • Ideography • Bologna, gentry (XVI-XVII cent • Linear perspective • Pieter Boel • Software • Science • Pigments • Digital image • Theriomorphism • Cryptography • Form • Architectural drawing • Planisphere • Anamorphosis • Medallions • Scenography • Proportions • Flemish Sources • Venice • Busts • )

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language it, en, fr

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