Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Giuseppe Mazzotti • Guardi • Gatekeepers • Museum • Venetian Veduta • Gesture • Objects • Realm of art • Sociology • Fashion studies • Visual arts • Consumer culture • Identity formation • Material culture • Forgers • Academy • Opera • Ouverture • Grotesque • Mediations • Early photography • Production • Ulisse Aldrovandi • History • Art field • Arthur Danto • Federico Pendasio • Border crossing • Arsenale • Caucasus • Contemporary art • Antonio Morassi • Douglas Gordon • Exhibition • Art market • History of dress • Jewish cemetery • Philosophical disenfranchisement • Art • Philosophy of art • Pirro Ligorio • Fashion • Venice • Damien Hirst • Art worlds • Cultural policy • Entrepreneur • Gabriele Paleotti • Howard Becker • Individual • Curator • Steve McQueen • Gatekeeper • Industrial heritage • Venetian villas • Antiquarians • Armstrong and Mitchell Cran • Intermediaries • Photography • Cultural heritage of Venezia Giulia and Istria • Venice’s Lido • Michelangelo Muraro • Nature • Osthoff • Pragmatism • Restoration • Pierre Bourdieu • Keeper • Claes Oldenburg • ‘The Store’ • Archival photographs

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

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