Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed
    edited by
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords NaplesSpanish ComediaPedro Calderón de la BarcaSiglo de OroScreen adaptationFrancisco FrancoShakespeareReception of the Golden Age Theatre HeritageFilm versionNazismFilmic rewritingLa vida es sueñoMonologueMaría Teresa LeónRafael AlbertiTheatreAdaptationReceptionNational identitySpanish Golden Age theaterGolden Age DramaDictatorshipCinemaGolden Age Drama StudiesAudienceArgentine cinemaPilar MiróSpanish cinemaTheatrical spaceEl Alcalde de ZalameaAgustín MoretoLope de VegaFrancoismDialectic high vs lowSpainPortugalCommunismSpanishnessMenos es másCensorshipDon JuanTheatre in cinemaCinematographic adaptionCalderónEl desdén con el desdénEl perro del hortelanoTheories on adaptationTheater-cinema relationsSpanish theater of Golden CenturyCinematic spaceReception of the Golden Age theatre heritageFilm adaptationHispanismPropagandaFranco’s regime

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es