Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords Golden Age DramaNaplesArgentine cinemaFrancoismCommunismTheatreTheatre in cinemaCinematic spaceLope de VegaFilm versionScreen adaptationAgustín MoretoMaría Teresa LeónSpainNazismSpanish ComediaDictatorshipPropagandaEl Alcalde de ZalameaSpanish theater of Golden CenturyAudienceShakespeareCalderónNational identityPedro Calderón de la BarcaTheories on adaptationHispanismMenos es másSiglo de OroLa vida es sueñoCensorshipDialectic high vs lowDon JuanFrancisco FrancoPortugalCinematographic adaptionCinemaEl perro del hortelanoGolden Age Drama StudiesTheatrical spaceReceptionFilm adaptationMonologueAdaptationPilar MiróFranco’s regimeSpanish Golden Age theaterTheater-cinema relationsReception of the Golden Age theatre heritageReception of the Golden Age Theatre HeritageSpanish cinemaSpanishnessRafael AlbertiEl desdén con el desdénFilmic rewriting

Thema codes ATFAATDDSG1DSE3MP

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es