Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed
    edited by
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords SpainSiglo de OroMaría Teresa LeónFilm versionFranco’s regimeTheatre in cinemaScreen adaptationCinemaSpanish ComediaHispanismLa vida es sueñoCommunismReceptionSpanish theater of Golden CenturyMonologueFilm adaptationArgentine cinemaSpanishnessPropagandaReception of the Golden Age Theatre HeritageRafael AlbertiTheatrical spaceCinematic spaceSpanish cinemaTheories on adaptationMenos es másPedro Calderón de la BarcaEl Alcalde de ZalameaTheater-cinema relationsGolden Age DramaNaplesFrancoismDictatorshipSpanish Golden Age theaterFilmic rewritingLope de VegaAdaptationDialectic high vs lowDon JuanAudienceFrancisco FrancoNational identityShakespeareCinematographic adaptionPilar MiróPortugalCalderónReception of the Golden Age theatre heritageCensorshipEl desdén con el desdénTheatreEl perro del hortelanoGolden Age Drama StudiesAgustín MoretoNazism

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es