Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed
    edited by
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords DictatorshipFranco’s regimePedro Calderón de la BarcaReception of the Golden Age theatre heritageTheories on adaptationFilmic rewritingLa vida es sueñoHispanismLope de VegaArgentine cinemaReceptionNazismShakespeareSpanish theater of Golden CenturyRafael AlbertiNaplesSiglo de OroFilm adaptationFilm versionMaría Teresa LeónMenos es másSpanishnessEl perro del hortelanoPortugalFrancoismCinematic spaceEl desdén con el desdénSpanish cinemaTheater-cinema relationsScreen adaptationSpanish ComediaCinemaDon JuanPropagandaMonologueAdaptationEl Alcalde de ZalameaReception of the Golden Age Theatre HeritageCinematographic adaptionAudienceDialectic high vs lowFrancisco FrancoCommunismSpanish Golden Age theaterSpainTheatre in cinemaNational identityTheatreGolden Age DramaCensorshipPilar MiróCalderónTheatrical spaceGolden Age Drama StudiesAgustín Moreto

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es