Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed
    edited by
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords Agustín MoretoReception of the Golden Age Theatre HeritageNazismDictatorshipFilmic rewritingArgentine cinemaAudienceGolden Age Drama StudiesTheatrical spaceTheatreCensorshipMonologueSpanish cinemaAdaptationCinemaEl Alcalde de ZalameaNaplesEl perro del hortelanoFilm versionShakespeareCinematographic adaptionScreen adaptationPedro Calderón de la BarcaPropagandaRafael AlbertiDon JuanSpainTheories on adaptationNational identityLope de VegaMaría Teresa LeónFrancoismHispanismPortugalReceptionTheatre in cinemaCommunismCalderónFranco’s regimeFilm adaptationSpanish theater of Golden CenturyMenos es másSpanish ComediaDialectic high vs lowGolden Age DramaSiglo de OroSpanish Golden Age theaterTheater-cinema relationsFrancisco FrancoLa vida es sueñoCinematic spacePilar MiróReception of the Golden Age theatre heritageEl desdén con el desdénSpanishness

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es