Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed
    edited by
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords La vida es sueñoSpanish theater of Golden CenturySpanish Golden Age theaterSpanish cinemaNazismAudienceEl desdén con el desdénReceptionCinematographic adaptionCensorshipLope de VegaTheatrical spaceFrancisco FrancoReception of the Golden Age theatre heritageSpanish ComediaFilmic rewritingEl perro del hortelanoDictatorshipCalderónNaplesReception of the Golden Age Theatre HeritageArgentine cinemaPropagandaTheories on adaptationAdaptationCinematic spaceTheatreSiglo de OroSpanishnessFranco’s regimeTheatre in cinemaMonologuePilar MiróSpainGolden Age Drama StudiesMaría Teresa LeónFilm versionPedro Calderón de la BarcaScreen adaptationRafael AlbertiAgustín MoretoDialectic high vs lowFrancoismCinemaEl Alcalde de ZalameaHispanismPortugalMenos es másNational identityCommunismFilm adaptationShakespeareTheater-cinema relationsDon JuanGolden Age Drama

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es