Raccontare il miracolo italiano nel 1994. The Italian Metamorphosis 1943-1968

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Campo DC	Valore
dc.identifier	ECF_article_15213
dc.title	Raccontare il miracolo italiano nel 1994. The Italian Metamorphosis 1943-1968
dc.contributor.author	Cammarata Silvia Maria Sara
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/venezia-arti/2023/1/raccontare-il-miracolo-italiano-nel-1994-the-itali/
dc.description.abstract	In 1994, The Italian Metamorphosis 1943-1968 opened at the Guggenheim Museum in New York presenting, in addition to artworks, design, fashion and cinema fixed in the American collective imagination as typically Italian, even evoking clichés about Italian style. The objects, the chronological span and the curatorial discourses were functional to an American narrative and resumed choices and formulas used since the post-war period to promote Italian products in the United States. This article intends to give an account of the exhibition and its feedbacks, contextualising it and hypothesizing the reasons for recalling narratives from almost fifty years earlier, in 1994.
dc.relation.ispartof	Venezia Arti
dc.relation.ispartof	Vol. 32 \| Dicembre 2023
dc.issued	2023-12-20
dc.dateAccepted	2023-11-02
dc.dateSubmitted	2023-09-14
dc.identifier.issn
dc.identifier.eissn	2385-2720
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/VA/2385-2720/2023/01/008
dc.peer-review	yes
dc.subject	Arte povera
dc.subject	Germano Celant
dc.subject	Guggenheim Museum
dc.subject	Made in Italy
dc.subject	New Renaissance
dc.subject	The Italian Metamorphosis 1943-1968

Articolo
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Raccontare il miracolo italiano nel 1994. The Italian Metamorphosis 1943-1968

Silvia Maria Sara Cammarata Ricercatrice indipendente

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abstract

In 1994, The Italian Metamorphosis 1943-1968 opened at the Guggenheim Museum in New York presenting, in addition to artworks, design, fashion and cinema fixed in the American collective imagination as typically Italian, even evoking clichés about Italian style. The objects, the chronological span and the curatorial discourses were functional to an American narrative and resumed choices and formulas used since the post-war period to promote Italian products in the United States. This article intends to give an account of the exhibition and its feedbacks, contextualising it and hypothesizing the reasons for recalling narratives from almost fifty years earlier, in 1994.

Pubblicato

20 Dicembre 2023

Accettato

02 Novembre 2023

Presentato

14 Settembre 2023

Lingua

Keywords: Made in Italy • New Renaissance • Germano Celant • The Italian Metamorphosis 1943-1968 • Arte povera • Guggenheim Museum

permalink http://doi.org/10.30687/VA/2385-2720/2023/01/008

Copyright: © 2023 Silvia Maria Sara Cammarata. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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