Identità in (tras)formazione: Marina il monaco, ovvero storia di una…

« articolo precedente | articolo successivo »

Campo DC	Valore
dc.identifier	ECF_article_15240
dc.title	Identità in (tras)formazione: Marina il monaco, ovvero storia di una Santa ‘mascherata’ e del suo culto a Venezia tra Medioevo ed Età Moderna
dc.contributor.author	Bordi Giulia Anna Bianca
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/venezia-arti/2023/1/identita-in-trasformazione-marina-il-monaco-ovvero/
dc.description.abstract	The article aims to provide a brief historical background of the church of Santa Marina in Venice. The church was originally dedicated to San Liberale but underwent changes in both dedication and layout after the arrival of the sacred remains of the virgin monk in the lagoon. The text briefly outlines the hagiographic story of Santa Marina, the circumstances of the translatio of her body to Venice, and how her cult became part of the devotional, cultural, and civic identity of the city. The final section aims to integrate existing knowledge of the church’s layout transformation from the Middle Ages to the Modern Age with new data from unpublished sources. The objective is to reconstruct the interior of the sacred building that no longer exists, but whose external appearance can still be confirmed visually through Jacopo de’ Barbari’s view.
dc.relation.ispartof	Venezia Arti
dc.relation.ispartof	Vol. 32 \| Dicembre 2023
dc.issued	2023-12-20
dc.dateAccepted	2023-10-20
dc.dateSubmitted	2023-09-15
dc.identifier.issn
dc.identifier.eissn	2385-2720
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/VA/2385-2720/2023/01/002
dc.peer-review	yes
dc.subject	Liturgical furnishings
dc.subject	Medieval churches
dc.subject	Medieval oriental cults
dc.subject	Sacred space
dc.subject	Saint marina
dc.subject	Tombs
dc.subject	Venice

Articolo
open access peer reviewed

Identità in (tras)formazione: Marina il monaco, ovvero storia di una Santa ‘mascherata’ e del suo culto a Venezia tra Medioevo ed Età Moderna

Giulia Anna Bianca Bordi Università Ca’ Foscari Venezia, Italia

VIEW PDF DOWNLOAD PDF

abstract

The article aims to provide a brief historical background of the church of Santa Marina in Venice. The church was originally dedicated to San Liberale but underwent changes in both dedication and layout after the arrival of the sacred remains of the virgin monk in the lagoon. The text briefly outlines the hagiographic story of Santa Marina, the circumstances of the translatio of her body to Venice, and how her cult became part of the devotional, cultural, and civic identity of the city. The final section aims to integrate existing knowledge of the church’s layout transformation from the Middle Ages to the Modern Age with new data from unpublished sources. The objective is to reconstruct the interior of the sacred building that no longer exists, but whose external appearance can still be confirmed visually through Jacopo de’ Barbari’s view.

Pubblicato

20 Dicembre 2023

Accettato

20 Ottobre 2023

Presentato

15 Settembre 2023

Lingua

Keywords: Venice • Liturgical furnishings • Sacred space • Medieval churches • Medieval oriental cults • Saint marina • Tombs

permalink http://doi.org/10.30687/VA/2385-2720/2023/01/002

Copyright: © 2023 Giulia Anna Bianca Bordi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Citazioni verso questo capitolo

How to cite